---
product_id: 39631087
title: "LUMIX Professional 12-60mm Camera Lens, Leica DG Vario-ELMARIT, F2.8-4.0 ASPH, Dual I.S. 2.0 with Power O.I.S, Mirrorless Micro Four Thirds, H-ES12060 (Black)"
brand: "panasonic"
price: "9115 Lei"
currency: RON
in_stock: true
reviews_count: 10
category: "Panasonic"
url: https://www.desertcart.ro/products/39631087-lumix-professional-12-60mm-camera-lens-leica-dg-vario-elmarit
store_origin: RO
region: Romania
---

# 240 fps ultra-fast autofocus 12-60mm versatile zoom range Splashproof, dustproof, freezeproof ruggedness LUMIX Professional 12-60mm Camera Lens, Leica DG Vario-ELMARIT, F2.8-4.0 ASPH, Dual I.S. 2.0 with Power O.I.S, Mirrorless Micro Four Thirds, H-ES12060 (Black)

**Brand:** panasonic
**Price:** 9115 Lei
**Availability:** ✅ In Stock

## Summary

> 📸 Elevate your frame game with Leica precision and unstoppable versatility!

## Quick Answers

- **What is this?** LUMIX Professional 12-60mm Camera Lens, Leica DG Vario-ELMARIT, F2.8-4.0 ASPH, Dual I.S. 2.0 with Power O.I.S, Mirrorless Micro Four Thirds, H-ES12060 (Black) by panasonic
- **How much does it cost?** 9115 Lei with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.ro](https://www.desertcart.ro/products/39631087-lumix-professional-12-60mm-camera-lens-leica-dg-vario-elmarit)

## Best For

- panasonic enthusiasts

## Why This Product

- Trusted panasonic brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Speed Meets Silence:** 240 fps linear motor autofocus ensures lightning-fast, whisper-quiet focus tracking
- • **Built for the Elements:** Durable metal body with splash, dust, and freeze resistance keeps you shooting anywhere
- • **Crystal-Clear Precision:** Leica DG optics with Nano Surface Coating eliminate ghosting & flare for razor-sharp images
- • **Steady Shots Every Time:** Dual I.S. 2.0 + Power O.I.S. sync for blur-free photos & silky smooth 4K video
- • **Unmatched Zoom Flexibility:** 5X optical zoom (24-120mm eq.) covers landscapes to portraits without swapping lenses

## Overview

The Panasonic LUMIX Leica DG Vario-Elmarit 12-60mm F2.8-4.0 lens is a professional-grade, weather-sealed zoom lens designed for Micro Four Thirds mirrorless cameras. Featuring advanced Nano Surface Coating, ultra-fast 240 fps autofocus, and Dual I.S. 2.0 image stabilization, it delivers sharp, vibrant images and smooth 4K video. Its rugged metal construction and versatile focal range make it the ultimate travel and all-around lens for discerning photographers seeking Leica-level optics in a compact, lightweight package.

## Description

Panasonic LUMIX Mirrorless Micro Four Thirds camera lenses deliver a no-compromise approach to optical performance for modern interchangeable camera enthusiasts and professionals. As an optical partner of legendary LEICA Lenses, Panasonic LUMIX Professional Camera Lens LEICA DG VARIO-ELMARIT H-ES12060 features Panasonic’s Nano Surface Coating to reduce bothersome reflections across the entire light spectrum for the highest standards of detail and sharpness. Built for the outdoors, this professional grade metal body lens features a splash / dustproof design when mounted on a compatible LUMIX G Mirrorless camera. Featuring Power O.I.S. optical image stabilization compatibility with 5-Axis Dual I.S. 2.0 (Image Stabilization), you'll shoot with unprecedented hand-held stability across both video and still. For added versatile high performance, this standard zoom lens offers a F2.8-4.0 ASPH and focal length of 12-60mm (35mm camera equivalent: 24-120mm) to render everything clearly, from corner to corner. What’s more, the stunning AF performance of this lens records excellent 4K video where precise focusing is essential. Make the switch from bulky DSLRs to the smaller, lighter, more compact Mirrorless Micro Four Thirds system cameras and lenses from Panasonic LUMIX.

Review: Fabulous travel lens - This is a great lens. I use it almost exclusively when traveling. It's larger than primes but is not heavy and balances well on my Panasonic G9 body. It is very sharp throughout. With a body that has electronic magnification, its reach is great. Color rendition is very accurate. Very easy to shoot hand held because of the synched IS. The build seems very sturdy, even after a number of years of use. I wish I'd pull the trigger on it long before I did.
Review: One of my favorite 4/3 lenses of that period was the Olympus Zuiko ... - I began using 4/3 system cameras before the advent of micro 4/3. One of my favorite 4/3 lenses of that period was the Olympus Zuiko 12-60mm f2.8-4.0 SWD. The 24-120 (full frame equivalent) range is extremely useful, especially for traveling. Thus, I was intrigued in knowing if the new Panasonic-Leica 12-60 f2.8-4 would fill that gap again for me. I have also used the excellent Olympus 12-40 f2.8 as well as the Panasonic 12-35 f2.8. The Olympus 12-40 is a great lens, but sometimes it’s nice to have a little more reach. Although both Olympus and Panasonic have made cheaper lenses, whose ranges are useful (e.g., the Olympus 12-50 3.5-6.3 and Panasonic 12-60 f3.5-5.6), these lenses are slower and seem to be not up to the same quality standards as the Olympus pro lenses and the Panasonic-Leica lenses. In the first few weeks of use, I have been very impressed by the Panasonic-Leica 12-60 f2.8-4 image quality, sharpness, and color rendition. I have been using it on both the Panasonic GX 8 and the OMD EM1 Mark ii. It is nicely balanced on both cameras. Its image stabilization (IS) only works in sync with the newer Panasonic bodies, but not Olympus bodies. Nevertheless, the five-axis stabilization of the new Olympus OMD is outstanding, so I haven’t noticed any issues in using this lens on the Olympus body. The zoom is silky smooth, the lens is fast focusing, and its construction is very good and weather resistant, although it does not seem to have the more substantial build-quality feel of the Panasonic-Leica f42.5mm Nocticron lens, which is one of my favorites. The f2.8 is also nice to have at its 12 mm length, but it starts creeping up to 3.0 and ultimately 4.0 fairly rapidly when you begin to zoom in closer. In terms of size, it is nearly comparable to the Olympus 12-40 f2.8 (diameter 70 mm Oly vs. 68 mm Pan-Leica; length 84 mm Oly vs. 86 mm Pan-Leica). Both use a 62 mm filter thread. In terms of weight, the Pana-Leica is only 320 g compared to the Oly 12-40 at 382 g. When compared to the excellent new Olympus 12-100 f4.0 at 561 g, the Pan-Leica is considerable lighter, although without the tele-zoom reach. I considered the new Olympus 12-100 mm, but the Pan-Leica is about $300 cheaper and more compact, with a faster aperture at the wide range. The lens is also purported to be very good for video, although my primary purpose in using it is for stills. I intend to use this lens particularly for travel purposes and some street photography. Overall, I find it to be a nice compromise between the Olympus 12-40 f2.8 and the Olympus 12-100 f4.0 both in size, range, and price. You won’t regret have any of these lenses, but I am, thus far, pleased with my choice as I am also trying to reduce the total number of lenses I use.

## Features

- NANO SURFACE COATING: Professional, high quality LEICA DG VARIO ELMARIT camera lens optics with Panasonic’s Nano Surface Coating to reduce unwanted ghosting and flaring for crystal clear pictures (4 ASPH / 2 UED)
- HIGH SPEED AUTO FOCUSING: Upgraded faster focus tracking via a 240 fps linear motor performs smooth aperture changes so there are no sudden jumps in exposure for improved video performance
- ADVANCED OPTICAL IMAGE STABILIZATION: Panasonic POWER O.I.S. compatible with enhanced LUMIX Dual I.S. 2.0 LUMIX Mirrorless cameras immediately compensates even large camera shake and vibrations for sharp, blur free photos
- STANDARD ZOOM LENS: A 5X optical 24 to 120 millimeter (35 millimeter camera equivalent) focal length with F2.8 4.0 ASPH provides flexible framing from breathtaking landscapes to beautiful, mid telephoto 60 millimeter portraits
- RUGGED HIGH PERFORMANCE DESIGN: Durable metal body camera lens braves the elements in nearly any kind of weather or shooting location (Splashproof / Dustproof / Freezeproof); Minimum Aperture:F22. Extra Low Dispersion (ED) lenses correct chromatic aberration rendering sharp, high contrast images with clear colors from corner to corner

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B01N7LGSZO |
| Best Sellers Rank | #513 in SLR Camera Lenses |
| Customer Reviews | 4.2 4.2 out of 5 stars (144) |
| Date First Available | January 4, 2017 |
| Is Discontinued By Manufacturer | No |
| Item Weight | 1.3 pounds |
| Item model number | H-ES12060 |
| Manufacturer | Panasonic |
| Product Dimensions | 4.49 x 4.49 x 7.24 inches |

## Product Details

- **Brand:** Panasonic
- **Compatible Mountings:** Four Thirds, Olympus/Panasonic Standard 4/3
- **Focal Length Description:** 12-60 millimeters
- **Lens Type:** Standard

## Images

![LUMIX Professional 12-60mm Camera Lens, Leica DG Vario-ELMARIT, F2.8-4.0 ASPH, Dual I.S. 2.0 with Power O.I.S, Mirrorless Micro Four Thirds, H-ES12060 (Black) - Image 1](https://m.media-amazon.com/images/I/61L+XezMU6S.jpg)

## Questions & Answers

**Q: what is the difference between this one and the previous generation?**
A: I am guessing (and apparently the Panasonic team could not figure this out) is not the "previous generation" of this lens, but the also recently released 12-60/3.5-5.6 lens. The first version was (1) half the price, (2) about 1/3 less weight and (3) not Leica branded. I have it and am very happy - but of course I got it before this new 12-60 was announced. There has only been (from what I have found) one full review of the new lens - and no direct comparison so far between the two. Everyone on the photography boards are assuming that because of the way the new lens was made (different lens configuration and build quality) that it should produce better images. But as I said - no direct comparisons yet. The original was more of a "consumer grade" lens and the new one seems to be more of a "pro" lens - even though Panasonic has not used that "pro" designation the way Olympus has.

**Q: panasonic:: everyone on dpreview has made in china lenses. isn't this lens made in china and not germany?**
A: Thank you for reaching out! While a German brand lens this unit is manufactured in China

**Q: Is this a constant f2.8 or does the fstop decrease as you zoom in?**
A: The lens is not a constant 2.8 it is a variable to f4

**Q: Can someone provide me with the physical dimensions of the lens? Specifically, length from the camera body to the end of the lens at the 12mm zoom pos**
A: Dear customer, thank you for your question. Filter diameter 62mm Max. diameter Approx. 68.4mm (2.7inch) Overall length Approx. 86mm (3.4inch) (from the tip of the lens to the base side of the lens mount) Mass (Weight) Approx. 320g (0.70lb)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Fabulous travel lens
*by T***Z on January 4, 2026*

This is a great lens. I use it almost exclusively when traveling. It's larger than primes but is not heavy and balances well on my Panasonic G9 body. It is very sharp throughout. With a body that has electronic magnification, its reach is great. Color rendition is very accurate. Very easy to shoot hand held because of the synched IS. The build seems very sturdy, even after a number of years of use. I wish I'd pull the trigger on it long before I did.

### ⭐⭐⭐⭐⭐ One of my favorite 4/3 lenses of that period was the Olympus Zuiko ...
*by T***E on March 12, 2017*

I began using 4/3 system cameras before the advent of micro 4/3. One of my favorite 4/3 lenses of that period was the Olympus Zuiko 12-60mm f2.8-4.0 SWD. The 24-120 (full frame equivalent) range is extremely useful, especially for traveling. Thus, I was intrigued in knowing if the new Panasonic-Leica 12-60 f2.8-4 would fill that gap again for me. I have also used the excellent Olympus 12-40 f2.8 as well as the Panasonic 12-35 f2.8. The Olympus 12-40 is a great lens, but sometimes it’s nice to have a little more reach. Although both Olympus and Panasonic have made cheaper lenses, whose ranges are useful (e.g., the Olympus 12-50 3.5-6.3 and Panasonic 12-60 f3.5-5.6), these lenses are slower and seem to be not up to the same quality standards as the Olympus pro lenses and the Panasonic-Leica lenses. In the first few weeks of use, I have been very impressed by the Panasonic-Leica 12-60 f2.8-4 image quality, sharpness, and color rendition. I have been using it on both the Panasonic GX 8 and the OMD EM1 Mark ii. It is nicely balanced on both cameras. Its image stabilization (IS) only works in sync with the newer Panasonic bodies, but not Olympus bodies. Nevertheless, the five-axis stabilization of the new Olympus OMD is outstanding, so I haven’t noticed any issues in using this lens on the Olympus body. The zoom is silky smooth, the lens is fast focusing, and its construction is very good and weather resistant, although it does not seem to have the more substantial build-quality feel of the Panasonic-Leica f42.5mm Nocticron lens, which is one of my favorites. The f2.8 is also nice to have at its 12 mm length, but it starts creeping up to 3.0 and ultimately 4.0 fairly rapidly when you begin to zoom in closer. In terms of size, it is nearly comparable to the Olympus 12-40 f2.8 (diameter 70 mm Oly vs. 68 mm Pan-Leica; length 84 mm Oly vs. 86 mm Pan-Leica). Both use a 62 mm filter thread. In terms of weight, the Pana-Leica is only 320 g compared to the Oly 12-40 at 382 g. When compared to the excellent new Olympus 12-100 f4.0 at 561 g, the Pan-Leica is considerable lighter, although without the tele-zoom reach. I considered the new Olympus 12-100 mm, but the Pan-Leica is about $300 cheaper and more compact, with a faster aperture at the wide range. The lens is also purported to be very good for video, although my primary purpose in using it is for stills. I intend to use this lens particularly for travel purposes and some street photography. Overall, I find it to be a nice compromise between the Olympus 12-40 f2.8 and the Olympus 12-100 f4.0 both in size, range, and price. You won’t regret have any of these lenses, but I am, thus far, pleased with my choice as I am also trying to reduce the total number of lenses I use.

### ⭐⭐⭐⭐⭐ Great Wide to Medium Telephoto & Videography Lens
*by S***A on July 30, 2020*

I bought this lens to do videography for my outdoors Youtube channel on my Panasonic Lumix G9. It fits this use-case excellently with a 12mm wide angle with an effective 5X optical zoom. If you utilize the Ex. Teleconv feature on recent Panasonic cameras you can get an effective 7X lossless zoom for free. If you shoot landscapes and mostly static subjects like I do, then a camera with a sensor shift hi-res mode can increase your range even further than that. Image quality at 12mm is very sharp in the center with some barrel distortion at the very far corners. At the wide end, don't expect perfectly sharp images across the entire scene - this is a trade-off to be expected in a wide to medium tele. I see a largely clean, distortion free image about 18-20mm and beyond. In the video world this is less of an issue than for photographers. The range you get for size make it worth it to me for the range that you get. Aperture reduces immediately to f/2.9 at 13mm and continues down from there until you hit f/4 at about 55mm. Since I am mostly shooting landscape in video in 4K, I rarely use f/2.8 - however this does come into play in vlogging shots. I find that f/2.8 is the sweet spot for walking & talking on camera in order to produce the ideal amount of background blur while avoiding focus breathing. I find the bokeh at f/2.8 to be pleasing with circular bokeh balls thanks to the 9 bladed aperture. Defocused backgrounds look smooth to me. I am usually at f/5.6 to f/7 when shooting landscape at 12mm and around f/8 to f/11 when closer to 60mm; you will notice diffraction kicking around f/11 but it's not so bad as to be unusable. Chromatic aberration is largely corrected for but you will see some green & magenta tinting with sun flares. This is better to me than having full-on sun flares in the shot. Another plus is the weather sealing. This lens does not see a ton of foul wet weather but living and shooting in the desert I enounter a lot The only major con I have come across is that (1) this lens is heavier than the cheaper plastic counterparts; though to me this is a pro adding durability. I am happy with the images this lens produces; I believe this lens is suitable for someone who normally would carry a wide lend and medium telephoto who wants to reduce weight and complexity of their setup. This is probably going to be as close as you'll get to a do-it-all lens on the M43 system.

## Frequently Bought Together

- Panasonic LUMIX Professional 12-60mm Camera Lens, Leica DG Vario-ELMARIT, F2.8-4.0 ASPH, Dual I.S. 2.0 with Power O.I.S, Mirrorless Micro Four Thirds, H-ES12060 (Black)
- Wasabi Power 2-Pack USB-C Dual Battery Charger for Panasonic Lumix DC-G9, GH5, GH6, S5
- Panasonic LUMIX GH7 Mirrorless Micro Four Thirds Camera with Enhanced Video Speed and Quality, Optimized Workflows from Shooting to Post-Production, Adobe Cloud Compatible & Real-Time LUT, DC-GH7BODY

---

## Why Shop on Desertcart?

- 🛒 **Trusted by 1.3+ Million Shoppers** — Serving international shoppers since 2016
- 🌍 **Shop Globally** — Access 737+ million products across 21 categories
- 💰 **No Hidden Fees** — All customs, duties, and taxes included in the price
- 🔄 **15-Day Free Returns** — Hassle-free returns (30 days for PRO members)
- 🔒 **Secure Payments** — Trusted payment options with buyer protection
- ⭐ **TrustPilot Rated 4.5/5** — Based on 8,000+ happy customer reviews

**Shop now:** [https://www.desertcart.ro/products/39631087-lumix-professional-12-60mm-camera-lens-leica-dg-vario-elmarit](https://www.desertcart.ro/products/39631087-lumix-professional-12-60mm-camera-lens-leica-dg-vario-elmarit)

---

*Product available on Desertcart Romania*
*Store origin: RO*
*Last updated: 2026-01-22*