---
product_id: 81700474
title: "Home Invasion: In Concert At The Royal Albert Hall[DVD/CD]"
price: "78 Lei"
currency: RON
in_stock: true
reviews_count: 11
url: https://www.desertcart.ro/products/81700474-home-invasion-in-concert-at-the-royal-albert-hall-dvd
store_origin: RO
region: Romania
---

# Home Invasion: In Concert At The Royal Albert Hall[DVD/CD]

**Price:** 78 Lei
**Availability:** ✅ In Stock

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- **What is this?** Home Invasion: In Concert At The Royal Albert Hall[DVD/CD]
- **How much does it cost?** 78 Lei with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.ro](https://www.desertcart.ro/products/81700474-home-invasion-in-concert-at-the-royal-albert-hall-dvd)

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## Description

Steven Wilson, once described as ‘the most successful British musician most people have never heard of,’ embarked on his sold-out world tour last year in support of his latest album ‘To The Bone’ which has sold over 150k albums worldwide to date, both the album and the tour received amazing reviews with Q giving the album 4* ‘Wonderfully executed… pop brilliance.’ Eagle Rock filmed the full 3 hr concert in March 2018 where the show was part of his three night residency at the Royal Albert Hall.

Review: The magic combination: Great songs, great musicianship, great production values - I was born in 1949 so literally grew up with rock and roll. As each new wave of rock arrived, I got into it the best I could, but progressive rock (Yes, Genesis, ELP, etc) just blew me away. Still loved straight ahead Beatles, Stones, Who, etc., but prog rock just took my mind to new places. After it all died down, not much got me excited until Radiohead came along, and then those musical embers faded, too. I was later introduced to Steven Wilson and Porcupine Tree, about the time he was (temporarily) ending the band and striking out on his own. After reveling in masterpieces like The Raven That Refused to Sing (etc.), Hand.Cannot.Erase and To the Bone, I heard that Steven and his new band were playing the magnificent Royal Albert Hall (which has about the same number of seats as feet in a mile, so semi-intimate) and RECORDING it. And record it he did. The sound is astounding, as would be expected from such a audio fanatic as Mr. W. And the musicianship!! "Sir" Nick Beggs on bass, the electrifying guitar of Alex Hutchings, the endlessly fascinating keyboards of Adam Holzman, Craig Blundell's super-sharp percussion, Ninet Tayeb's magical voice and Steven, himself, who provides ALL of the third critical element: the amazing, highly enjoyable and immortal songs that he somehow continues to produce from a seemingly endless muse. I've seen a lot of concert films and a lot of concerts LIVE, but I do believe this is the best. What else can I say? Do you love music? Then get this Blu-Ray. Thank you and good evening.
Review: The Perfect Home Invasion - Saving the best of 2018 for last… Steven Wilson’s Home Invasion is a welcome invasion indeed. It may just well be the best release I’ve seen/heard/reviewed this year. Well, not maybe, it clearly is THE most encompassing and totally engrossing musical experience of 2018, hands down. In fact it’s really not even fair to compare. I love almost all genres of music, but Wilson has this gifted way of transcending all of it, and yet simultaneously embracing everything great about music that is out there to celebrate. Call it the Wilson genre – he can’t be pigeon-holed, and those who try will likely be the disappointed naysayers of this release (as were they on To The Bone). Not surprisingly, with every live release, that musical experience just keeps getting better and better. In a manner similar to how Devin Townsend keeps recreating himself within the context of metal, Wilson manages to add something new and fresh to all things rock with each release. And while the live performances on Anesthetize and The Incident (with Porcupine Tree) were incredibly enjoyable, and while Get What You Deserve eclipsed even those amazing performances with its quirky brilliance, Home Invasion somehow manages to surpass them all. So how does one even begin to describe everything going on here? The Band Wilson could have gathered a huge collection of musicians on stage, in various permutations, but instead chose to keep it simple. I love and respect that. Nick Beggs has a huge impact on these songs, his bass presence massive on these songs. Craig Blundell has been the drummer since Minnemann’s departure – his fluid, yet tight and precise style well-suited to the HCE/To The Bone material. Of course, Adam Holzman has become the keyboard player de facto for Wilson with his solo work. Alex Hutchings takes over the main guitar leads in grand fashion, his contributions not to be underrated. Wilson elected to keep the accompanying vocalists simple – Ninet Tayeb. She easily surpasses her studio performances here with here contributions on “Pariah,” “Song Of I,” “Blank Tapes,” and surprisingly on “People Who Eat Darkness” where she shares the verses with Wilson. Superb musicianship. The Set List Most bands don’t dare to play more than 5 or 6 songs from their latest release, but here we get 10 out of 11 from To The Bone (2017)! Only the title track is missing … shame. This somewhat more “commercial/pop” (those terms somewhat irrelevant today) rock material is nicely balanced with the heavier and “proggier” moments from HCE, along with some of the absolutely killer songs from FOTBP, Deadwing and In Absentia. “Even Less” from Stupid Dream would be the deep track here, and the title track from Raven the perfect closer to the encore. These are not exact duplicates of the studio versions, however. Every song here comes to life, partly due to the different musicians involved and partly due to the intense visual experience accompanying every song. “Ancestral” live is insane. To me HCE was the pinnacle of Wilson’s solo career so far because he perfectly blended prog, post-prog and pop with an amazing concept. Blundell’s drum performance on this song alone should win him some kind of award – obliterating. The BD Simply put, Home Invasion is both visually and aurally stunning. As noted above, this is the best visual presentation I’ve seen to date from Wilson with any of his incarnations. This is the first time in Wilson’s career that the quality of the filming/effects matches the quality of the musical output. Not only are there some novel ideas here (the transparent screen “in front” of the band not the least of these!), and not only are the animations accompanying each song equally insightful and entertaining, but the filming and editing is nearly perfect. There is a nice combination of straight-up camera work mixed equal parts with sections of editing/effects wizardry which really enhance the music in many areas – particularly noteworthy on songs like “Home Invasion/Regret#9” and “Vermillioncore.” The colors coming through on my LG 4K screen are vivid, and there is a wonderful contrast between the light and black. The effects and lighting are clearly designed to bring much “color” to the stage – the dancers outfits during “Permanating” really pop out of the screen. Sound check? As wonderful as the delays and swirling sounds are on the 5.1 mix with the instruments skipping all over the room, I think the volume seems a bit suppressed, especially on the bass end of things. It doesn’t make for an uncomfortable listening experience, but when you switch to the 96/24 LPCM version there is a noticeable difference. Listening to this in “all (5 channel) stereo” mode, this recording is absolutely perfect. There is this powerful output from the speakers with a perfect balance of treble/bass, highs and lows. As live performance recordings go, Home Invasion in high-def is pretty much near (if not at) the top of the tier. The BD itself is housed in a quadruple gatefold digipak. The BD menu is very clean and easy to navigate, but the bonus features here are somewhat Spartan. The highlight would have to be the “rehearsal” version of “Routine.” This song was one of the most important tracks from HCE and certainly also one of the most profoundly disturbing as well. It is a shame it missed the main set list because Ninet does an amazing job pulling this off “live.” It is worth noting that even these rehearsal tracks are beautifully filled with amazing perspectives from the farthest points around the Royal Albert. The interview with Wilson is very short and to the point. He has definitely come out of his shell a bit. It is quite evident during the live performance with all of his speaking parts, and he basically states the same during the interview. As he states, once he realized being a live performer in front of thousands of people is absurd, he was no longer apprehensive. The CDs The set is split between the 2 CDs (bonus tracks not included). Steven’s spoken word is included on the CD versions. It’s a good rendering, but you will have to crank up the volume a bit as the master volume is set quite low, compression low too. I still find that there is a lot of the sound spectrum that doesn’t translate well in some songs, but as companion CDs to a live BD/DVD go, pretty good set here. The Verdict Live performance of the year? For me, there is no question. For those still on the fence, don’t hesitate to put this on your Christmas wish list.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN  | B07GW3QSLD |
| Actors  | Steven Wilson |
| Aspect Ratio  | Unknown |
| Best Sellers Rank | #127,905 in Movies & TV ( See Top 100 in Movies & TV ) #61,641 in Rock (CDs & Vinyl) #90,939 in DVD |
| Customer Reviews | 4.8 4.8 out of 5 stars (1,050) |
| Item model number  | 051300209926 |
| MPAA rating  | NR (Not Rated) |
| Media Format  | Box set, Remixes included |
| Number of discs  | 3 |
| Product Dimensions  | 5.51 x 4.92 x 0.79 inches; 1 ounces |
| Release date  | November 2, 2018 |
| Run time  | 0 minute |
| Studio  | Mercury Studios |

## Product Details

- **Contributor:** Steven Wilson
- **Format:** Box set, Remixes included
- **Genre:** rock-music
- **Initial release date:** 2018-11-02
- **Language:** English

## Images

![Home Invasion: In Concert At The Royal Albert Hall[DVD/CD] - Image 1](https://m.media-amazon.com/images/I/619EpSKfYML.jpg)
![Home Invasion: In Concert At The Royal Albert Hall[DVD/CD] - Image 2](https://m.media-amazon.com/images/I/51ICp59vYLL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ The magic combination: Great songs, great musicianship, great production values
*by R***L on September 5, 2022*

I was born in 1949 so literally grew up with rock and roll. As each new wave of rock arrived, I got into it the best I could, but progressive rock (Yes, Genesis, ELP, etc) just blew me away. Still loved straight ahead Beatles, Stones, Who, etc., but prog rock just took my mind to new places. After it all died down, not much got me excited until Radiohead came along, and then those musical embers faded, too. I was later introduced to Steven Wilson and Porcupine Tree, about the time he was (temporarily) ending the band and striking out on his own. After reveling in masterpieces like The Raven That Refused to Sing (etc.), Hand.Cannot.Erase and To the Bone, I heard that Steven and his new band were playing the magnificent Royal Albert Hall (which has about the same number of seats as feet in a mile, so semi-intimate) and RECORDING it. And record it he did. The sound is astounding, as would be expected from such a audio fanatic as Mr. W. And the musicianship!! "Sir" Nick Beggs on bass, the electrifying guitar of Alex Hutchings, the endlessly fascinating keyboards of Adam Holzman, Craig Blundell's super-sharp percussion, Ninet Tayeb's magical voice and Steven, himself, who provides ALL of the third critical element: the amazing, highly enjoyable and immortal songs that he somehow continues to produce from a seemingly endless muse. I've seen a lot of concert films and a lot of concerts LIVE, but I do believe this is the best. What else can I say? Do you love music? Then get this Blu-Ray. Thank you and good evening.

### ⭐⭐⭐⭐⭐ The Perfect Home Invasion
*by J***K on December 7, 2018*

Saving the best of 2018 for last… Steven Wilson’s Home Invasion is a welcome invasion indeed. It may just well be the best release I’ve seen/heard/reviewed this year. Well, not maybe, it clearly is THE most encompassing and totally engrossing musical experience of 2018, hands down. In fact it’s really not even fair to compare. I love almost all genres of music, but Wilson has this gifted way of transcending all of it, and yet simultaneously embracing everything great about music that is out there to celebrate. Call it the Wilson genre – he can’t be pigeon-holed, and those who try will likely be the disappointed naysayers of this release (as were they on To The Bone). Not surprisingly, with every live release, that musical experience just keeps getting better and better. In a manner similar to how Devin Townsend keeps recreating himself within the context of metal, Wilson manages to add something new and fresh to all things rock with each release. And while the live performances on Anesthetize and The Incident (with Porcupine Tree) were incredibly enjoyable, and while Get What You Deserve eclipsed even those amazing performances with its quirky brilliance, Home Invasion somehow manages to surpass them all. So how does one even begin to describe everything going on here? The Band Wilson could have gathered a huge collection of musicians on stage, in various permutations, but instead chose to keep it simple. I love and respect that. Nick Beggs has a huge impact on these songs, his bass presence massive on these songs. Craig Blundell has been the drummer since Minnemann’s departure – his fluid, yet tight and precise style well-suited to the HCE/To The Bone material. Of course, Adam Holzman has become the keyboard player de facto for Wilson with his solo work. Alex Hutchings takes over the main guitar leads in grand fashion, his contributions not to be underrated. Wilson elected to keep the accompanying vocalists simple – Ninet Tayeb. She easily surpasses her studio performances here with here contributions on “Pariah,” “Song Of I,” “Blank Tapes,” and surprisingly on “People Who Eat Darkness” where she shares the verses with Wilson. Superb musicianship. The Set List Most bands don’t dare to play more than 5 or 6 songs from their latest release, but here we get 10 out of 11 from To The Bone (2017)! Only the title track is missing … shame. This somewhat more “commercial/pop” (those terms somewhat irrelevant today) rock material is nicely balanced with the heavier and “proggier” moments from HCE, along with some of the absolutely killer songs from FOTBP, Deadwing and In Absentia. “Even Less” from Stupid Dream would be the deep track here, and the title track from Raven the perfect closer to the encore. These are not exact duplicates of the studio versions, however. Every song here comes to life, partly due to the different musicians involved and partly due to the intense visual experience accompanying every song. “Ancestral” live is insane. To me HCE was the pinnacle of Wilson’s solo career so far because he perfectly blended prog, post-prog and pop with an amazing concept. Blundell’s drum performance on this song alone should win him some kind of award – obliterating. The BD Simply put, Home Invasion is both visually and aurally stunning. As noted above, this is the best visual presentation I’ve seen to date from Wilson with any of his incarnations. This is the first time in Wilson’s career that the quality of the filming/effects matches the quality of the musical output. Not only are there some novel ideas here (the transparent screen “in front” of the band not the least of these!), and not only are the animations accompanying each song equally insightful and entertaining, but the filming and editing is nearly perfect. There is a nice combination of straight-up camera work mixed equal parts with sections of editing/effects wizardry which really enhance the music in many areas – particularly noteworthy on songs like “Home Invasion/Regret#9” and “Vermillioncore.” The colors coming through on my LG 4K screen are vivid, and there is a wonderful contrast between the light and black. The effects and lighting are clearly designed to bring much “color” to the stage – the dancers outfits during “Permanating” really pop out of the screen. Sound check? As wonderful as the delays and swirling sounds are on the 5.1 mix with the instruments skipping all over the room, I think the volume seems a bit suppressed, especially on the bass end of things. It doesn’t make for an uncomfortable listening experience, but when you switch to the 96/24 LPCM version there is a noticeable difference. Listening to this in “all (5 channel) stereo” mode, this recording is absolutely perfect. There is this powerful output from the speakers with a perfect balance of treble/bass, highs and lows. As live performance recordings go, Home Invasion in high-def is pretty much near (if not at) the top of the tier. The BD itself is housed in a quadruple gatefold digipak. The BD menu is very clean and easy to navigate, but the bonus features here are somewhat Spartan. The highlight would have to be the “rehearsal” version of “Routine.” This song was one of the most important tracks from HCE and certainly also one of the most profoundly disturbing as well. It is a shame it missed the main set list because Ninet does an amazing job pulling this off “live.” It is worth noting that even these rehearsal tracks are beautifully filled with amazing perspectives from the farthest points around the Royal Albert. The interview with Wilson is very short and to the point. He has definitely come out of his shell a bit. It is quite evident during the live performance with all of his speaking parts, and he basically states the same during the interview. As he states, once he realized being a live performer in front of thousands of people is absurd, he was no longer apprehensive. The CDs The set is split between the 2 CDs (bonus tracks not included). Steven’s spoken word is included on the CD versions. It’s a good rendering, but you will have to crank up the volume a bit as the master volume is set quite low, compression low too. I still find that there is a lot of the sound spectrum that doesn’t translate well in some songs, but as companion CDs to a live BD/DVD go, pretty good set here. The Verdict Live performance of the year? For me, there is no question. For those still on the fence, don’t hesitate to put this on your Christmas wish list.

### ⭐⭐⭐⭐⭐ The best artist of all
*by C***L on December 28, 2020*

This one was my second purchase of his concert DVD. The first one was his Anesthetize live with his band, Porcupine Tree which I and my partner fell in love of all music, performances, lyrics, and an entire show. Normally, if you have a favorite concert of an artist, you are ready to be disappointed for the next one. I was expecting it, but wanted to see how he "grew" as an artist. Well, this one was even better. I mean, I still like Anesthetize a lot, but I could see how Steven evolved to a new path. It looks like he only goes to higher. We could not stop watching, because the concert was so good. I wish more people listen him, because his value as an artist should not be wasted. I recommend to listen his music with a good quality head set. Buy one and enjoy the world of Steven Wilson.

## Frequently Bought Together

- Home Invasion: In Concert At The Royal Albert Hall [2 CD/DVD]
- To The Bone
- THE FUTURE BITES

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*Product available on Desertcart Romania*
*Store origin: RO*
*Last updated: 2026-03-10*