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Winner of the 2017 T. S. Eliot Prize ‘Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition.’ New Yorker An extraordinary debut from a young Vietnamese American, Night Sky with Exit Wounds is a book of poetry unlike any other. Steeped in war and cultural upheaval and wielding a fresh new language, Vuong writes about the most profound subjects – love and loss, conflict, grief, memory and desire – and attends to them all with lines that feel newly-minted, graceful in their cadences, passionate and hungry in their tender, close attention: ‘…the chief of police/facedown in a pool of Coca-Cola./A palm-sized photo of his father soaking/beside his left ear.’ This is an unusual, important book: both gentle and visceral, vulnerable and assured, and its blend of humanity and power make it one of the best first collections of poetry to come out of America in years. ‘These are poems of exquisite beauty, unashamed of romance, and undaunted by looking directly into the horrors of war, the silences of history. One of the most important debut collections for a generation.’ Andrew McMillan Winner of the 2017 Felix Dennis Prize for Best First Collection A Guardian / Daily Telegraph Book of the Year PBS Summer Recommendation Review: Perfect - A beautiful and poignant collection. Everyone should read this. Review: Not really my type of my book - Delivery was fine but according to me , I didn't like this poetry book so much!
| Best Sellers Rank | #39,006 in Books ( See Top 100 in Books ) #256 in Military History (Books) #525 in Poetry (Books) #882 in Indian Writing (Books) |
| Customer Reviews | 4.6 out of 5 stars 2,150 Reviews |
A**K
Perfect
A beautiful and poignant collection. Everyone should read this.
D**A
Not really my type of my book
Delivery was fine but according to me , I didn't like this poetry book so much!
A**R
very good book
good
A**E
Superb Vietnamese poet
One of the most fantastic contemporary poets. A must-read for all true literateurs.
D**S
The writing style is just beautiful and his metaphors are out of this world ❤️❤️
A gifted poet. The writing style is just beautiful and his metaphors are out of this world ❤️❤️
S**A
Beyond anything of its kind
I cannot even stress enough how good this book is
Z**V
None
Who am I to review Ocean Vuong! _- _ - _ - * * *- _ - _ - _
P**H
damaged product
torn and rotten piece delivered
H**H
love it
love this book, I am writing my dissertation on ocean vuong:)
G**P
‘Sometimes I ask for too much to feel my mouth overflow’
In 2010 Ocean Vuong offered his first collection of poems – BURNINGS – and this reviewer wrote the following: ‘It is very difficult to read the poetry of Ocean Vuong: he gets inside the marrow and hides there for even a few moldy moments of memories that we've tried to erase. Perhaps not for everyone, this response. Likely for most these poems he collectively and intuitively titles BURNINGS will be simply the virtuosic, luminous constructions of a vividly experienced/inherited life. Ocean Vuong is Vietnamese, now living and writing and teaching in Massachusetts. He was born in Saigon in 1988, well after the US withdrawal of troops from that grossly wrong war, but his parents and grandparents carry the napalm smells and bitter battles in every cell of their bodies: Vuong's inheritance. And now, years away from that fetid error, his poems ask, if not force, us to recall that cancer that will never go away. So for those of us who experienced the Vietnam of which he speaks these poems are pockets of pain and renewed compassion. Ocean Vuong expresses the mind of a refugee as defined as any poet of our time. His poems can arrest the movement of our eyes, forcing them to accept the wrong that cannot be righted. But they can also create strange lullabies he recalls from the past, his past, our past. Vuong's perfectly crafted poems are intensely personal, and intensely universal. What he has to whisper to us sears our eyes and minds like a branding iron, burning. Whether his words are of wars past or present, they are inescapably palpable. This is the work of a gifted cantor, singing of pain, singing of healing.’ NIGHT SKY WITH EXIT WOUNDS, released in 2016, is Ocean’s second major volume of poetry, and returning to it now, in 2021, reiterates just how fine is his gift. He has become one of the more highly regarded men on the literary scene, both as a poet and a novelist, but no matter the form in which his words are dressed, the level of empathy glows. His perfectly crafted poems are intensely personal, and intensely universal. What he has to whisper to us sears our eyes and minds like a branding iron, burning. Whether his words are of wars past or present, they are inescapably palpable. His poems embrace gender choices for lovers, and other needs. The book is successful on all levels and now stands as another trophy in the growing respect for this splendid artist. Very Highly Recommended. Grady Harp, October 21
L**C
Life changing read
I want to tattoo this entire text on me so I won't forget it
J**J
Heart-wrenchingly beautiful.
I cannot recommend this book enough. It is worth every penny and more. Vuong invites us into a space where he is vulnerable and intimate, and I found myself deeply emotional while reading many of the pieces. Finding this poetry collection was a turning point in my own work. Vuong's use of language, line breaks, and striking imagery are fantastic studies for any budding poet, and highly enjoyable to read and analyze. I can't wait for more!
B**W
A human body mixed into a geopolitical landscape
This is a very original collection of poems.The poem‚ Immigrant Haibun’ is a high point. The immigrant poet, from Saigon to the US, describes his watery journey and the reason for his name, Ocean. All in haibun poetic form. Self Portrait as Exit Wounds another achievement, where the migrant wounds are dynamically described. The physical map of his own body, mixed into a geopolitical landscape resonates through this poem, and the collection. It is woven with lifechanging pain.
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