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M**Z
Very through
It's almost too thorough. This book has a questionable intro where it explores every permutation of every inversion of the six most common jazz chord types before it admits that only four categories are actually practical to play on the guitar. Other than that, this is a good reference book for ideas to get the most out of your standard chord voicings. This book does assume you know the basics of music theory and jumps right into the subject matter.There is one pretty glaring error on the intro pages to chapters 9 & 10 (pp.122, 135) where the numbers of the chord degrees are switched around. (They should be 1537. 3751. 5173, 7315.) You can verify this by checking the chord diagrams later in each section, which are correct.Great book!
S**K
It's a thorough approach on a subject that's not easy to find material on
I just started using this book, but it's exactly what I need. it will definitely help me become a better guitarist. Very clear and concise
R**.
Great Book.
I like this book. It’s not easy stuff but it’s important material.
A**R
amazing
should buy it
G**A
The clearest path I've found to understanding drop voicing for guitar
This book is a fantastic addition to my music library as my go-to book for a distilled understanding of drop voicing while providing complete thoughts about how it applies to chord progressions, melody, etc. It's continued to lead me down a path of fuller understanding of fretboard harmony as it clearly bridges the gap between theory and pragmatic music making, which I find is a rare talent in the music teaching world. One thing I particularly appreciate is the use of notation, tablature, and fretboard diagrams throughout the book, each of which greatly increase comprehension depending on what I'm specifically trying to study when I pick up the book. It' currently a permanent part of my music stand.
Trustpilot
2 months ago
5 days ago