Microphone Shock Mount with Pop Filter, Mic Anti-Vibration Suspension Shock Mount Holder Clip for Diameter 46mm-51mm Microphone

The Microphone Shock Mount with Pop Filter has been an excellent addition to our mobile news channel on-location production unit. In field broadcasting environments where audio clarity is critical, this setup has done an outstanding job reducing vibration, handling noise, and unwanted background interference during live reporting and recorded segments. The anti-vibration suspension system works very effectively, especially in mobile production situations where equipment movement, vehicle vibration, or temporary setups can introduce unwanted noise into the audio chain. The shock mount keeps the microphone stable and isolated, resulting in noticeably cleaner and more professional sound quality. The included pop filter is another major advantage and performs very well during interviews, voiceovers, and live reporting. It helps reduce plosives and breath noise while maintaining clear vocal reproduction, which is especially important in broadcast and field production work. Build quality exceeded expectations. The mount feels durable, secure, and professionally constructed, while still being lightweight enough for portable production kits and mobile newsroom setups. The adjustment hardware holds position well and integrates easily with standard microphone stands and boom arms. One of the strongest benefits is how much this setup improves overall audio professionalism during on-location broadcasts. Clean, stable audio is essential for viewer confidence and production quality, and this system has consistently delivered dependable performance in real-world field environments. Highly recommend this microphone shock mount and pop filter setup for broadcasters, podcasters, field reporters, livestreamers, content creators, and mobile production teams looking for reliable audio isolation and professional sound quality. Excellent performance, durability, and value!

I have been using this Pop Filter and Shock Mount for about 4 months now in tandem with my Audio Technica AT2020 XLR Microphone and Neewer Scissor Arm. Pros: -Both the Shock Mount and the Pop Filter are a perfect fit for the AT2020, super snug! -The Pop Filter does a great job blocking the splosives, many people have commented in game chats and in my YouTube videos that my voice sounds really high quality with my setup. I couldn't be happier with it. -The Shock Mount really does what is intended and stops unintended noise from vibrations from bumping my desk or even the Neewer Scissor arm. Cons: -I have bumped the Shock Mount itself a handful of times causing the friction tightened angle adjuster to come loose and spin my mic upside down. It doesn't come loose or fall, it just inverts because of how the angle adjuster tightens. It has a little plastic knob that you can tighten down really good, however because of the direction my mic is when I bump it I am pushing it at the same angle to loosen that knob and then the weight of the AT2020 causes it to invert. This has not been a huge issue, since I can just lift up the mic and tighten the knob in just a couple of seconds. For me this was not enough of an issue to warrant removing a star. In Conclusion, this is a really great budget option to help reduce noise from vibrations to your mic, and reducing splosives with the pop filter. I highly recommend it!

This is a pretty good bundle/deal for all of these items, they were easy to install and works perfectly with my AT-2020. I might say the mount is pretty easy to use and the size is pretty reasonable and fits pretty good with my setup. Shock mount: It is incredibly good for the price point, I don't notice any interference with sound when I bang on my desk or try to cause any vibrations that my microphone would've picked up had I not put the mount on. It is a bit heavy but again, it's a pretty solid mount Pop filter: I would've had this at 5 stars but the pop filter is lacking a bit. I could still notice interference when I say stuff like "Pop" or "Bro," basically, any B or P sounds BUT it does cut out of the majority of the noise. On this filters defense, I'm pretty sure this isn't the most efficient form factor of a pop filter. I think it is recommended to buy one of those where it's like a circular screen in front of the microphone. But all in all, decent filter. This whole deal is pretty worth it if you're looking for a good mount and a decent filter. I would recommend this to a friend.

Sometimes when you buy stuff like this, it arrives and you know it's junk. This isn't. Way better than I ever expected. It's solid, holds my MXL Mark III mic perfectly. There is good solid rubber inside the mic mount. Good adjustment can be achieved with the turn screw. The pop filter? Let's talk about that! It's compact, fits nicely over the mic head/body, and I can finally do away with the ugly, annoying and intrusive round pop filter I was using. It never attached properly to my boom, I could never see around it to view my monitors while I am podcasting, and it made my work a chore. Now, with this streamlined, compact filter I can adjust my mic for optimal voice quality, view my monitors and I'm looking forward to my next podcast! I highly recommend this product for giving you a great shock mount as well as an excellent pop filter for not a lot of money.

Works as intended. No complaints after years of use. Stopped the pops and hisses when audio is tweaked correctly.

The elbow where the shock mount connects isn't as secure as I would like without cranking the thumbscrew down painfully hard. This will more than likely wear out faster as a result but it was cheap and it works for now and that's all I wanted or needed. If I had more money I would have bought Audio Technica's first party shock mount and pop filter.

I was motivated to buy a new shock mount because I have an AT4040 and found that it was a major hassle moving it from my vocal mic stand to an angled desktop stand I use for recording acoustic guitar because I only have one mic. Anyone who has used the native AT4040's shock mount can attest to the fact that getting it in and out of the mount with any regularity quickly becomes an exercise in frustration. I'll give you both the good and bad. I do suspect that over time, inserting and removing my mic from the mounting clamp will result in cosmetic wear and scratches to its coated black finish. I certainly wouldn't put a thousand dollar mic in there for that reason. The AT4040 is low-mid range in price and I will likely never sell it. Even the native mount leaves some wear on the body. I treat all my music equipment as a working tool and eventually, they will show signs of use. I personally love it when great guitarists play instruments covered in well earned scars but felt this should be noted in case that's important to you. Also, I suspect the isolation properties of the AT4040's native mount's additional rubber band suspension WITHIN the outer shock mount adds additional isolation not offered by this cheaper mount. However, at least so far, it just doesn't seem to have impacted me. I guess I just don't make a great deal of contact with the mic stands I use. I can't speak to durability. Frankly, given the price, I would be shocked if it lasted for more than a year or so, but if you aren't hard on your stuff and you handle things gently, I suspect this will do fine for some time. The one area that I think may be weak is the angled wing fastener which just doesn't seem to tighten as much as I'd want before reaching its maximum torqued position. If anything gives over time, it will likely be that connection. What I really love with this item is the pinch-and-release mechanism because it's so much easier to use than the AT4040's native isolation mount which is deeply gripped by rubber bands that are difficult to reinsert back into. No question, the native one is also made of slightly higher quality materials but it isn't really designed for that kind of regular in-out access. I like that for such a low price - about the same as a cocktail or a bottle of wine - I also get a pop filter which seems to be working for me. I used to use a much larger circular flexi-arm-mounted pop-filter and just found it so distracting and 'in my face'. It would also need constant adjusting as it would droop over time. I much prefer the compact nature of the mic mounted one that comes with this kit. In the end, I bought a second so that both my mic stands use this mount and I can very quickly move between the two. FINAL IMPORTANT WARNING for AT4040 Owners: If you have an AT4040 remember that there are a couple of raised switches (for engaging dB attenuation and high pass filter) at the bottom of the back of the microphone. You may want to make sure you seat the mic deep enough into the clamp so that the slightly raised switches are BELOW the bottom of the clamp to ensure it doesn't put unnecessary pressure on those switches. That said, it means a wider part of the mic will be in the midst of the clamp which means more pressure on the body. To alleviate this I stretched the clips out to a wide position to try and lesson the tension on the mic I was putting in it. (The AT4040 is definitely at the upper range of this mounts capacity.)

I really enjoy this shock mount and the fact that it comes with a pop filter is an added bonus. The mount itself does a fantastic job of reducing vibrations from its surroundings should my phone vibrate on my desk or I accidentally bump into it with my knee or chair. The pop filter it comes with is u-shaped and lined with a woven mesh material and attaches to the mic with two woven elastic bands on the back that fit snugly around my mic. For those that may be wondering this will fit the Audio-Technica 2020 just fine, and since it is a Cardioid condenser mic, the shape of the pop filter does a nice job of effectively covering the entire pick up range of the AT2020. The only thing I would say to be careful of, and it's not even that big of a deal, is watch out for the elastic bonds that secure the pop filter to your mic. They sit on plastic tips on either sides with lips on them so they don't easily fly off, but I did have the bottom band fly across my room when initially putting it on, although I may have also put too much tension on it causing it to sling off. Outside of that, the mount itself is impressive and the fact that it includes a pop filter while still being reasonably priced is quite awesome.

Works well, almost worth the money. 3 stars for performance instead of 5 due to the lack of adjustability. My microphone is quite stubby and barely fits into the mount which I’m not happy with. It looks and feels sturdy which is a nice touch. The pop filter is decent enough quality to help with the clarity of my voice and has a nice bonus of helping to isolate my voice from background noise. Although once again it barely fits onto my microphone. The clamps you push down to adjust the mount are stiff and badly shaped which makes them painful to push down after a while

5/5 Stars: Quality for the Price - Shock mount part is full metal Build! Fits my Rode NT2-A Perfectly. This shock mount earns a full five stars purely based on its great build quality relative to the price. Compared to the cheap, all-plastic failures common in this range, this mount is a well worth it: the entire shock mount assembly is metal, providing a dense, reliable platform for excellent vibration isolation. I verified this with a magnet; the construction is genuinely solid. Furthermore, the microphone is securely gripped by a heavy-duty, internal rubber-lined spring pincher mechanism that ensures it won't slip. However, two minor disappointments are worth noting, though they don't detract from the core value: Pop Filter: The included microphone pop cover is cheap plastic and has an odd chemical odor. While functional, it feels like a low-quality component attached to an otherwise premium assembly. Angle Lock: The butterfly screw used to secure the mount's angle against the stand connection is under-engineered. For heavier condenser microphones, you must crank down excessively to prevent slippage, risking the screw housing cracking. This issue could be entirely resolved by the manufacturer simply including an expanding washer to increase friction. Users with heavier mics should plan on a minor modification (like adding that washer) to avoid constant re-tightening or breakage. Despite these small flaws, the core product's durability and robust metal construction make it a great value and highly recommended over similar-priced competitors.

Paid 4k for this Mount. Definitely not worth it. The body is very stern and hardly reduces vibrations. There was no return policy when I purchased this. Ideal one should pay 300 rupees for this. Not sure what I was thinking when I made the purchase.

Apart from the pop filter that I can't fit on (probably because I am stupid) it is very good.

I was excited to get this for my microphone. It works very well and the pop screen really helps. It is definitely worth the money.