desertcart.in - Buy Jazz Guitar Chord Mastery book online at best prices in India on desertcart.in. Read Jazz Guitar Chord Mastery book reviews & author details and more at desertcart.in. Free delivery on qualified orders. Review: Excellent material for an aspiring/working musician - As with most other books of Joseph, this is also a nicely paced book, easy to read and play along. I would highly recommend it to intermediate players who are stuck in a rut with chord shapes and voicings and want to get more out of their chordal playing. It is not a must to start out with the first part of this book (this is part-2) unless you are a stickler for such modalities (though there are a few references to Part-1 like the "Diminished Substitution"). The book starts off on an even keel introducing you to Drop 2 voicings and the shapes that need to be gripped first in group 1 and then later in group 2 and 3 string sets on the guitar (G1 = strings 1,2,3,4) (G2 = strings 2,3,4,5) (G3 = strings 3,4,5,6), or what can be called as the Top, Middle and Bass string sets. The interesting things are the exercises he uses to practise playing the inversions like "connecting the inversions with walking bass lines from scales", "skipping inversions", "practising in P4's, P5's" etc. He goes through the four basic chord types (Min7, Dom7, Min7b5 and Maj7) before going to alterations and extensions. He then deals with Drop 3 and Drop 2+4 voicings. I liked the Cyclic Exercises that he mentions at the end for practising these chord families (and shapes) well. In fact these are recommended exercises in any chapter. He rounds it by addressing the other four basic chord types at the end i.e. (minMaj7, Dim7, Min6 and Maj6), and the different ways of viewing these chords. All in all, a great book! Review: Good book - Great ideas to practice if you're in a rut
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V**O
Excellent material for an aspiring/working musician
As with most other books of Joseph, this is also a nicely paced book, easy to read and play along. I would highly recommend it to intermediate players who are stuck in a rut with chord shapes and voicings and want to get more out of their chordal playing. It is not a must to start out with the first part of this book (this is part-2) unless you are a stickler for such modalities (though there are a few references to Part-1 like the "Diminished Substitution"). The book starts off on an even keel introducing you to Drop 2 voicings and the shapes that need to be gripped first in group 1 and then later in group 2 and 3 string sets on the guitar (G1 = strings 1,2,3,4) (G2 = strings 2,3,4,5) (G3 = strings 3,4,5,6), or what can be called as the Top, Middle and Bass string sets. The interesting things are the exercises he uses to practise playing the inversions like "connecting the inversions with walking bass lines from scales", "skipping inversions", "practising in P4's, P5's" etc. He goes through the four basic chord types (Min7, Dom7, Min7b5 and Maj7) before going to alterations and extensions. He then deals with Drop 3 and Drop 2+4 voicings. I liked the Cyclic Exercises that he mentions at the end for practising these chord families (and shapes) well. In fact these are recommended exercises in any chapter. He rounds it by addressing the other four basic chord types at the end i.e. (minMaj7, Dim7, Min6 and Maj6), and the different ways of viewing these chords. All in all, a great book!
A**1
Good book
Great ideas to practice if you're in a rut
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