Pygmalion

"Pygmalion" is a play that concerns the proper way to speak English. The main character is Henry Higgins, a professor of phonetics (who Shaw based on the real-life phonetician Henry Sweet). Speak English properly and the doorway to opportunity is assured. Speak it poorly, and people will despise you, and you'll be forever a prisoner of your station in life. Written in five acts, that's the basic premise of the play. What follows is my summation of each act, plus selected dialogue. With at least two movies to its credit, one of them the musical "My Fair Lady", clearly "Pygmalion" is George Bernard Shaw's most popular play.ACT IThe play begins at Covent Garden, London's flower district and home to the Royal Opera House; it's here, by the Opera House columns, that Higgins encounters the flower girl Eliza Doolittle. She's from one of the poorer sections of London; while poor she's not stupid. To make a living, she sells flowers on the street. Her English is uproariously atrocious. Higgins admonishes her: "Remember that you are a human being with a soul and the divine gift of articulate speech: that your native language is the language of Shakespeare and Milton and the Bible, and don't sit there crooning like a bilious pigeon." Her English does not so much offend him, as present a challenge. Higgins tells his new best friend, Colonel Pickering, "In three months, I could pass that girl off as a duchess at the ambassador's garden party. I could even get her a place as lady's maid or shop assistant, which requires better English."ACT IIThe story shifts to Higgins' laboratory on Wimpole Street. It's the following day, and Eliza shows up seeking lessons, with the goal of improving her station in life. Her dream is to be "a lady working in a flower shop."Higgins expresses little interest, until challenged by Colonel Pickering, who is now his houseguest. "What about the ambassador's garden party?" he reminds him. "I'll say you're the greatest teacher alive if you can make that good. I'll bet you all the expenses of the experiment you can't do it. And I'll pay for the lessons."Higgins accepts the challenge, and vows: "I shall make a duchess of this draggletailed guttersnipe. . . . Yes: in six months--in three if she has a good ear and a quick tongue--I'll take her anywhere and pass her off as anything. We'll start today: now this moment!" Higgins decides it best if she lives under his roof. While being given a bath by the housekeeper, Eliza's father Alfred Doolittle, a dustman, shows up, seeking the whereabouts of his daughter. When he finds out she is to be Higgins' live-in student, he demands five pounds in payment, which, after a brief debate, Higgins agrees to pay.ACT IIIThe story resumes in the home of Higgins' mother, where, after three months of lessons, he takes Eliza. This is the first test. Mrs. Higgins is a lady of high society and good breeding, and is having friends over for tea. If Eliza can get past this critical group, without being detected, the next step will be the ambassador's ball. Higgins has not only taught her to speak flawless upperclass English, but he has taught her flawless upperclass etiquette. And, for his part, Colonel Pickering has bought her a stunning new gown, making the transformation complete. Eliza not only passes the first test, but attracts the affections of one of the guests: Freddy Eynsford Hill. Next stop: the ambassador's ball.ACT IVThe story shifts back to Higgins' residence, where Henry and the Colonel, having returned from the ambassador's ball, congratulate each other on Eliza's smashing success.Pickering: " . . . you've won your bet, Higgins. Eliza did the trick, and something to spare, he?"Higgins: "Thank God it's over!"Eliza is there too, whom they take no notice of. She is not happy, and sits off by herself, feeling alone and ignored.Pickering: "Were you nervous at the garden party? I was. Eliza didn't seem a bit nervous."Higgins: "Oh, she wasn't nervous. I knew she'd be all right. No, it's the strain of putting the job through all these months that has told on me. It was interesting at first, while we were at the phonetics; but after that I got deadly sick of it. If I hadn't backed myself to do it I should have chucked the whole thing up two months ago. It was a silly notion: the whole thing has been a bore."With that, the two of them, still ignoring Eliza, head off to bed. She feels hurt because she is no longer the object of Higgin's attention. While he has been demanding and rude, she has grown attracted to him, but senses her feelings are not reciprocated. She is also worried about what will become of her, now that the phonetic lessons are over, and the bet won. Downcast, hurt, and becoming angry, she walks across the room and flings herself on the floor.Higgins returns and, still ignoring her, asks: "What the devil have I done with my slippers?"Eliza snatches up the slippers and flings them at him."Anything wrong?" he asks.Eliza: "Nothing wrong--with YOU. I've won your bet for you, haven't I? That's enough for you. I don't matter, I suppose."Higgins: "YOU won my bet? You! Presumptuous insect. I won it. What did you throw those slippers at me for?"Eliza: "Because I wanted to smash your face. I'd like to kill you, you selfish brute. Why didn't you leave me where you picked me out of--in the gutter? You thank God it's all over, and that now you can throw me back again there, do you?"Higgins: "The creature IS nervous, after all."Eliza: "What's to become of me? What am I to do?"Higgins offers a few suggestions. She could open a flower shop, and Colonel Pickering would be her benefactor. "He has lots of money," says Higgins. Or she could get married; his mother could arrange a suitable partner. "You see, Eliza, all men are not not confirmed old bachelors like me and the Colonel. Most men are the marrying sort; and you're not bad-looking; it's quite a pleasure to look at you sometimes . . . you're what I would call attractive. That is, to the people in the marrying line, you understand."Eliza understands: Professor Higgins has absolutely no intention of ever getting married; not to her, nor to anyone. Sobered, Eliza goes to bed, but rises early, packs her things and, without notice, leaves.ACT VThe story resumes at Mrs. Higgins' flat, where Higgins and the Colonel have come seeking Eliza. First, they call the police; no help there; and then join Mrs. Higgins in her parlor, little realizing that Eliza arrived earlier that day, and is waiting upstairs."Eliza has bolted," Higgins announces as he enters the drawing room.Mrs. Higgins: "You must have frightened her."Higgins: "What am I to do?"Mrs. Higgins: "Do without, I'm afraid, Henry. The girl has a perfect right to leave if she chooses."At this point, Alfred Doolittle is admitted to the drawing room, dressed in top hat and tails. He's to be married that afternoon, and comes blaming Henry Higgins for making him a respectable middle-class gentleman.Flustered by the accusation, Higgins blurts: "You're raving. You're drunk. You're mad. I gave you five pounds."Doolittle: Oh! Drunk! am I? Mad! am I? Tell me this. Did you or did you not write a letter to an old blighter in America that the most original moralist at present in England, to the best of your knowledge, was Alfred Doolittle, a common dustman?"Higgins: "What! Ezra D. Wannafeller? He's dead."Doolittle: "Yes: he's dead; and I'm done for . . . he leaves me a share in his Pre-digested Cheese Trust worth three thousand a year on condition that I lecture for his Wannafeller Moral Reform World League as often as they ask me up to six times a year."Higgins: "The devil he does! Whew! What a lark!"Doolittle: "It ain't the lecturing I mind . . . It's making a gentleman of me that I object to . . . I was happy and free . . . A year ago I hadn't a relative in the world . . . Now I've fifty . . . I have to live for others and not for myself: that's middle class morality . . . I have to learn to speak middle class language from you, instead of speaking proper English . . ."Mrs. Higgins sees a solution in Alfred Doolittle's recent wealth. She says: "This solves the problem of Eliza's future. You can provide for her now."Doolittle: "Yes ma'am; I'm expected to provide for everyone now, out of three thousand a year."Higgins: "Nonsense! he can't provide for her. He shan't provide for her. She doesn't belong to him. I paid five pounds for her."In the midst of this conversation, Eliza comes downstairs, and discovers to her amazement that her father is not only cleaned up and dressed as a gentleman, but is going to marry her mother that afternoon.Mrs Higgins decides to attend the wedding, and orders her carriage; Eliza declines, and the conversation shifts to what is to become of her.Eliza: "I can teach. I'll teach phonetics."Higgins: "Ha! Ha! Ha!"Eliza: "I'll offer myself to Professor Nepean."Higgins: "What! That impostor! that humbug! that toadying ignoramus! Teach him my methods! my discoveries! You take one step in his direction and I'll wring your neck."Eliza is not intimated; not anymore. "Wring away!" she says. When Higgins does nothing, she continues: "Aha! Now I know how to deal with you. What a fool I was for not to think of it before! You can't take away the knowledge you gave me. You said I had a finer ear than you. And I can be civil and kind to people, which is more than you can. Aha! That's done you, Henry Higgins, it has. Now I don't care about your bullying and your big talk. I'll advertise it in the papers that your duchess is only a flower girl that you taught, and that she'll teach anybody to be a duchess just the same in six months for a thousand guineas. Oh, when I think of myself crawling under your feet and being trampled on and called names, when all the time I had only to lift up my fingers to be as good as you, I could buck myself."The carriage arrives, and Higgins bids his mother goodbye. He's about to kiss her, when he recollects something. "Oh, by the way, Eliza, order me a ham and Stilton cheese will you? And buy me a pair of reindeer gloves, number eights, and a tie to match that new suit of mine, at Eale & Binman's. You can choose the color.'Defiant, Eliza says: "Buy them yourself" (and departs).Mrs. Higgins: "I'm afraid you've spoiled that girl, Henry. But never mind, dear: I'll buy you the tie and gloves."Higgins: "Oh, don't bother. She'll buy 'em all right enough. Good-bye." They kiss, Mrs. Higgins leaves, and the play ends.*****************************************************If you're wondering what became of the scene at the ambassador's ball, where Eliza's English passes the scrutiny of oily professor Zoltan Karpathy, as shown in the movie; it was not part of the original play, but written later by Shaw for the movie adaption. Alluded to earlier, Professor Nepean (whom Higgins called, "That impostor! that humbug! that toadying ignoramus"), in the movie was the Hungarian, Zoltan Karpathy.What the movie doesn't show is the Epilogue where Shaw tells what became of Eliza. Realizing Higgins and Colonel Pickering would remain confirmed bachelors for life, and that while they would welcome her company; in their eyes, Eliza would always be the flower girl in Covent Garden, therefore, she elects to marry Freddy Eynsford Hill (mentioned in Act II). And while the Eynsford family has enough money to maintain appearances, it has no money for Eliza and Freddy to continue their life in High Society. The one option of earning money is to fulfill Eliza's dream of opening a flower shop, which they do, thanks to the financial support of Colonel Pickering.Shaw's play is based on the Greek myth of Pygmalion, who falls in love with his own creation; a statue named Galatea, whose captivating beauty is such that he prays to the gods to have her come to life, which she does. Comments Shaw: "Galatea never does quite like Pygmalion: his relation to her is too godlike to be altogether agreeable."

I purchased this book because it was recommended in a FB group I am a member of. I've learned to trust the opinions of the people in this group, and although I am not usually one to spend more than $.99 on a Kindle book, I took a chance.I am *so* glad I took that chance!The story is engaging and original. Isaac, the main character, is quirky--interesting and endearing. As a creative type, I appreciate the way the author utilizes Isaac's artistic abilities. As a gaming geek, I appreciate Isaac's love for RPG's. As a fellow sarcastic type, I appreciate Isaac's smart mouth.The story is well-paced, none of the action or dialogue feels contrived or rushed, and the author has a real feel for characterization. I fell fully into the narrative, and was never pulled from my suspension of disbelief. My only complaint is that I was so immersed, I was completely disappointed when I reached the end! I was interrupted by real life partway through, and when I checked my progress, I was already over 80% of the way through! I literally said 'aww' aloud. I can't wait to read more.I highly recommend this book to anyone who enjoys a good, humorous fantasy romp that takes the tropes and good-naturedly tips them on their nether ends. Five stars, and two great big thumbs up!

Not being a gamer, it took me a while to catch up with the structure. After a couple of chapters I became comfortable with the rapidly developing story line. My favorite part, right off was the inter-reality humor from the leading character. It helped bind the two realities or dimensions. One of my preferences with fantasy/science fiction writing is when the author does not over develop the scenes and characters from the beginning, but allowing one to learn, accept and adjust to the newly created framework of the story. It took a little patience on my part, waiting for my senior mind to wrap around the concepts, but as I expected, it was well worth the little mental effort it took. Knowing and understanding this was a series, after reading this first book, I felt well adjusted and comfortable with the frame work, which continued to evolve, as did the all the characters. I truly looked forward to reading the second book in the series.

I'm a huge nerd. I make no apologies for that. If you're into all things geeky, you will love this book. Imagine creating an imaginary world that turns out to be not so imaginary. Also imagine that you're trapped in this world and you realize that what seemed like a great idea on paper, isn't all that great in fact. There are three books in this series and they are all great.Do yourself a favor and read these books. You'll be glad you did.

This is a very funny read but the formatting of this book is terrible the top margin is at most a couple of centimeters from the top most of the page while the bottom margin was perhaps two inches from the bottom. I would recommend this book but not this version the margins make it very uncomfortable to read.

This is a short but sweet portal fantasy. I like that it reads like a light novel, and i like the interactions between characters You should just go through all 3 books in one day. Casey Matthews is very talented, i’d recommend her other works, too (cough The One Who Eats Monsters, cough)

Cool. Blend of gaming, fantasy, and modern. I like the start, somehow missed when it came out originally. Good stuff!

I know you don't have to be a gamer to enjoy this story, because I have not played. The story is funny and thoroughly entertaining. Matthews' humour and ability to spin a story of his world are remarkable. I am very much looking forward to the next edition.

Ok