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B**W
breezy introduction to Ohr
good brief introduction to Ohr
R**S
Hold onto your madness - it's precious!
Delightful book; great illustrations and photos. Story is interesting and filled with historical, geographical, and Americana art history. Easily read and understood - not so technical as to be limited in appeal. This guy was eccentric and its nice to read that his art is appreciated and valued - as he predicted.
E**B
I liked this book very much
I liked this book very much, it was brief and well-illustrated and gave a good background on Ohr. Anyone interested in ceramics and history, would find it very fascinating, I think!!
J**N
The wonderful Mad Potter
An eccentric man with a wonderful story about making art out of the modest material of clay! Great read for the whole family! And the pictures are wonderful- an unknown piece of American cultural!
S**L
Wonderful
This book seems to capture the essence of what George Ohr was about, more fox than lunatic; a showman publicist and cynic. The photos are spectacular and are alone worth the price many times over
J**A
Five Stars
great book in very good condition
F**E
Five Stars
the best book
S**C
Recommended for reading aloud to students and discussing/writing main ideas
Read this aloud to my fifth grade daughter and we both enjoyed it thoroughly. I don’t usually review biographies, but this title is a Sibert Honor Book this year and I was curious. The authors tell the story of the life of George Ohr (born in 1857) – who was definitely eccentric. He wasn’t sure what he wanted to do with his life and he didn’t fit into the mainstream society. Then discovered a passion for pottery. What’s beautiful is how the authors detail Ohr’s sustained focus on developing his skill at pottery – he was an assistant to another potter, he went to fairs, he traveled across the states studying different potters’ work and trying his hand at pottery. Ultimately his pottery was distinct – and became a tourist attraction in Biloxi where he established a studio. There’s room for discussions with students about the concept of “one’s identity” and “sense of agency” (a sense of “I can do this”) as themes in this book. When a change in technology allowed pottery to be mass produced, Ohr refused to join the fray and continued creating unique pieces. Decades later (1968) Ohr’s work was re-discovered, dusty, piled high in old cartons in a broken down shed. As Ohr predicted (despite his community’s doubts), his work has become priceless and is now displayed in museums.I would read this aloud to 3rd-5th grade students (over a few days). After reading a chapter or two, you might model (gradually releasing the writing to the students) responding to a prompt like the following:How does George Ohr develop his identity as a potter?orWhat did George Ohr do to develop his skills as a potter? Why is this important to consider?orHow was George Ohr eccentric? (Define eccentric in student-friendly terms like “tending to act in strange or unusual ways.”)If you want students to develop a stronger sense of Ohr’s disposition, you might engage students in a close reading of pages 38-39.
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