The Swinging '70s : Stars, Style and Substance in Hindi Cinema

The preface and introduction set the stage. A peek at the behind–the–scenes activity that brought the writers and editors together and a glimpse of their collective passion for all things movies make for a fascinating read—more so when they are coloured with amusing personal anecdotes.The doors then swing open to the shimmering carnival called the ’70s cinema. One is dazzled by the shifting spotlight: from the commercial crowd-pullers to the sombre art house movies and the middle cinema, from legendary divas to iconic superstars to the baddies that had their own fan following, from the greatest poet that keeps evolving to someone who specialised in doling out chartbusters, from Pancham’s magic to the singing prowess of Yesudas, the fashion trends( trade mark flared trousers and bell sleeves), style statement and whatnot–the book showcases everything and how!The five segments cover an array of topics. There are themes and tropes, memories, icons and idols, and even a section called Insider’s insights (conversations with legends like Dr Mohan Agashe, Subhash Ghai, Vishal Bhardwaj, Sriram Raghavan and many more.) Each of these units features multiple chapters written by film connoisseurs and movie maestros with a special fondness for the ’70s. The writers’ passion and detailed study of the era are enough to capture one’s attention and keep it there till the end.The first essay by Amitava Kumar is a rich analysis of Nishant, an intense film by Shyam Benegal. Kumar spotlights different aspects of the movie, such as setting, dialogue, costume, emotional conflict and social impact, making the piece a pleasurable read and consistently enlightening.I found myself smiling as I read Devullapalli’s essay. Who can forget Vinod Khanna and his charms? And yes, it was quite amusing to remember the legendary leakproof stocking that can cover the bullet wound (movie: Parvarish) again.Choudhuri’s ode to Big B and Gulzar was absolutely riveting. The essay allowed me to dig deeper into the range and beauty of the myriad characters played by the senior Bachchan. I could see him beyond the shadow of his angry young man image. The essay impacted me so much that I couldn’t rest until I had watched all the mentioned movies. What can I say about the music? The essay introduced me to Alaap and its flawless music, a refined finespun blend of poetry, composition and performance.The pieces from Gajra Kottary, Raja Sen, Nirupama Kotru, Kavree Bamazai, Jai Arjun Singh, and Varun Grover seamlessly blend anecdotes, insights, and sharp commentaries yet are witty and personal. The other essays delve deeper into the cinematic landscape, revealing gems of charisma and talent that defined the silver screen.Each chapter wraps you tighter in the pulsating rhythm unique to the dynamic decade. The last segment is like candy being handed to a kid who has already had too much fun at a party. Needless to say, I enjoyed the treats immensely and savoured them long after.The book made me realise that though I considered myself an avid fan of the decade, I was just skimming the surface. In many ways, the book opened doors to brilliant cinema for me, did wonders for my cinematic education and made me fall in love with the Hindi movies that defined the 70s all over again.For someone like me who loves books and films almost in equal measure, this book about movies was a great find. The fact that it was about my favourite Bollywood decade was an added bonus.The book is nostalgia. And then some. Trust me when I say that walking into this ’70s carnival is a thrill in itself—one that grows with every chapter.Can’t recommend more! A must- read for the movie aficionados.The ride down the ’70s with the doyens pointing at the captivating dialogues, scenes, music and plot line is definitely worth taking!

The Swinging 70sReading these essays about 70s movies transported me back to my school and college days. Growing up in the small town of Akola, movie-going was more than a pastime—it was an integral part of our upbringing. The essays rekindled memories of watching films with friends, one of whom was the son of the local Chitra Talkies owner.Back then, pocket money was an alien concept. I funded my movie escapades by selling old books and newspapers, and in desperate times, by sneaking a few rupees from my grandmother's closet. We watched everything—commercial hits and art films alike—never discriminating. This eclectic viewing nurtured my aesthetic sense. The 70s was a unique decade, showcasing directors like Shyam Benegal, Gulzar, Manmohan Desai, Ravi Nagaich, and B.R. Ishara, each with distinct perspectives and styles.Music was the soul of our films. My favorite songs spanned from the underrated "Ulfat Mein Zamane Ki Har Rasm Ko Thukrao" from Call Girl (Naqsh Lyallpuri) , to "Ek Pyaar Ka Naghma Hai (Santosh Anand ) ," and "Apne Aap Raaton Ko Chilmane Sarakati Hain (Kaif BHopali) ." Varun Grover's essay, The Broken Melody: A Personal Nostalgia of the Seventies Lyrics, beautifully captures the essence of that era's music, highlighting gems like "Kahin Ek Masoom Nazuk Si Ladki" from Shankar Hussain—a film that, sadly, flopped despite its immortal songs.The book brought back memories of meeting my idols: the rugged Dharmendra, the suave Vinod Khanna, the original Agent Vinod—Mahendra Sandhu, and the boy-next-door, Amol Palekar. Though the 560-page tome seemed daunting at first, I devoured it in less than a week.Sriram Raghavan’s essay, Guilty Pleasures, was the cherry on top. Having moved from Akola to Pune, where Raghavan also studied, his reflections struck a deep emotional chord. True to his style, the essay ends with a Hitchcockian twist.Reading this book rejuvenated my spiri ( it made me feel young again) t—a rare feat—and I highly recommend it to all film buffs, regardless of when they were born.

So many diverse contributors with excellent writing. Gives a great flavour.

If you grew up in the 70's or 80's and have been interested in Bollywood films since then.....this book will serve as a good guide down memory lane.For reasons the editors and the individual contributors have analysed in detail, there was something especially attractive about the movies produced in the 70's which was or has not been seen in earlier or subsequent decadesWhat was this magic ?That is not easily identifiable because movies, for most of us like myself, are a jumble of music, songs, action, hero/heroine charisma and (this rarely) plot.These are the 'masala' of any movie produced anywhere and anytime.So, given this form of general receptivity to movies in our country (and if you think carefully it hasn't changed much even today) how do you justify the claim that a specific decade of Indian film making was magical ? Tough claim to back up...isn't it ?But the book does just this and does it resoundingly well I say. The enthusiasm of the two editors are shared by each of the individual contributors who examine specific aspects of films made in the 70's.Some investigate directors, some do the same for actors while some analyse and entire movie and so on.It is a 500+ page book and promises to take you and keep you in your childhood or teen years for a long time !!It was totally worth the price for me. Really enjoyed the reading and the time travel also 👍

Entertaining book . Just read it