Review "The novel's pleasures... mostly reside in its formal arrangement and Bail's brilliantly distilled, and witty prose" (Times Literary Supplement)"A curious and intriguing novel... the brilliant skill of the writing makes the world come alive on the page" (Hermione Lee Guardian)"A nicely written, wonderfully entertaining novel... Philosophy is a big, difficult subject - there is none bigger - that Bail depicts thoughtfully and with sympathetic humour" (The Daily Telegraph)"Quietly fascinating... Bail's prose is as full of space and glaring, almost painful light as the landscape... This book is as hard and sparse as that landscape, but no less beautiful for that" (Jonathan Gibbs Independent)"Bail's highly idiosyncratic style resembles a choppy sea in which phrases and images constantly jostle each other to send up a dazzlingly brilliant spray. In addition, his ability to conjure up a character in a paragraph or even a mere sentence is remarkable" (Francis King Literary Review) About the Author Murray Bail was born in Adelaide in 1941. He is the author of four novels and two collections of short stories. Harvill Secker published his Notebooks in 2005. His novel Eucalyptus was awarded the 1999 Commonwealth Writers' Prize and the Miles Franklin Literary Award.
H**L
Great writer and book
Very intelligent writer, paints a picture, a character and personality. He may seem complicated but really a simple window to a person's feelings and reactions to what is around them and a part of them.
B**L
Theory vs the real
Nice. Read it. Enjoy the story and theme. In the end, which rules? You already know but the story makes it worth reading.
C**N
challenging and funny. I loved it
Intriguing, challenging and funny. I loved it.
P**8
Give it a pass
I read half this book (a choice of my book club) and never figured out what it was about. None of the characters was interesting. I finally quit, thinking, "Life is too short." P.S. No one In the book club liked it, including the person who suggested it.
F**E
"Life is the intruder on thought..."
At the time of his death, Wesley Antill, son of a wealthy sheep farmer and self-declared philosopher, had left his rambling thoughts in big heaps of scattered, handwritten notes all over his shed-study. His siblings, Lindsey and Roger, having looked after the farm while intellectual Wesley pondered life and philosophy, are tasked with publishing his work. To assess the value and validity of Wesley's notes as having the makings of a "philosophy" Erica Hazlehurst, herself an established philosopher from Sydney, arrives with her psychoanalyst friend Sophie in the remote Australian Outback. Two city women in the wilds - the challenges start there. Ten years after the award winning Eucalyptus: A Novel, Bail's new novel has been greatly anticipated. The least one can say that this slim volume provided much encouragement for reflection on the meaning of "thought", "self", "philosophy", and some lighter, humorous fare as "life intrudes".Bail tells the story from two related perspectives alternating throughout the narrative. First, Erica's exposure to Wesley's writing, but more poignantly, to the Antills and their enormously different life from one that she is familiar with and, even more important, and to the power of the bare and empty countryside. These aspects are beautifully evoked by the author. Interleaved are Wesley's unstructured accounts and musings of his version of a modern Wilhelm Meister's Apprenticeship: first in Sydney, then in England and Europe. Some pages of writing contain only a few sentences or words, pinned on a line across the room... are these to be interpreted as element of his philosophy? Erica - and the reader - struggles to piece anything coherent together. "It will take months" to work through the wealth of material. Without doubt, the author enjoys toying with the reader's creative imagination. Intriguing thought elements hint at deeper analysis, if Erica could only find those bits of paper, leaving more questions than providing answers. For example, why the Australian landscape and climate are not conducive to philosophical thought...The beauty of Australian landscapes, in particular the dry and sparse surroundings of the sheep farm, are exquisitely conveyed. Bail is well known for his talent in this regard and for his ability to create atmospheres that reflect the intense impact the landscape can have on people living in it or suddenly exposed to it. The relationships between the four protagonists, on the other hand, while well set up initially, drawing the reader into a range of complexities, are not fully realized and leave the reader hoping for more exploration. Erica with her own reflections on philosophy and changing perspectives make her the more interesting character. While Bail has been counted among the post-modernist authors, the novel could have benefited for more detail and depth. All in all not a fully satisfying reading experience. [Friederike Knabe] Eucalyptus: A NovelWilhelm Meister's Apprenticeship
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