The Pianist: The Extraordinary True Story of One Man's Survival in Warsaw, 1939-1945 Paperback – September 2, 2000

The Pianist: The Extraordinary True Story of One Man’s Survival in Warsaw 1939-1945“Until The Pianist, I have never read a piece so moving that I had to bring it to the screen,” declared the award-winning movie director Roman Polanski, himself a survivor of the Krakow Jewish Ghetto, from which he escaped as a child after his mother’s death.The story Polanski would make into an unforgettable film in 2002 is the war journal of the world-class pianist Wladyslaw Szpilman and his incredible tale of survival (The Pianist, Wladyslaw Szpilman, New York: Picador Press, 1999). Szpilman lived through the Nazi occupation of Poland between 1939-1945. His life was constantly in peril, and doubly so: both as a Jew and as a Pole. His family was rounded up in the Warsaw Ghetto and was liquidated along with its nearly half a million Jewish inhabitants, who were shot, died of disease or starvation, or were sent to concentration camps. (For more on this subject, see my earlier article on the Warsaw Ghetto, “Heroism in Hell”): http://literaturadeazi.ro/content/heroism-hell-resistance-warsaw-ghetto-uprising-israel-gutman)Time after time Wladyslaw’s intuition, luck, connections and resilience save him from a near-certain death. Although his brother, sisters and parents perished in the Treblinka death camp, the young man manages to survive thanks to the last-minute intervention from a friend who works for the Jewish Ghetto Police, who helps him right as he’s about to board the cattle train to the concentration camp. To evade death yet again, Wladyslaw gets a work permit and becomes a slave laborer, along with the 50,000 working Jews (and their families) left in the Warsaw Ghetto, who, for a few more weeks or months, were still deemed “useful” by the Nazis.Later the young man becomes involved in the Jewish resistance movement in the ghetto, made up mostly of very courageous young men, who would rather die fighting than let the Nazis “slaughter them like sheep”. Right before the Nazis stomp out the rebellion, killing almost every last Jew and burning the ghetto to the ground, Wladyslaw yet again manages to miraculously escape by hiding with two Polish friends, the married couple Andrez and Janina Bogucki. Once their neighbor discovers him there, however, he is obliged to flee into an empty room with a piano, where he tries to recover from jaundice and malnutrition. When in the midst of the Polish resistance his apartment hit by bombs, he escapes from place to place in the stark and empty shell left of what was once the beautiful and prosperous city of Warsaw.Just as he believes he has cheated death and found a safer building that hadn’t yet been destroyed, Wladyslaw runs into an elegant German officer. Had this man been a typical SS officer this would have meant certain death for the Jewish Pole. But in a twist of fate that seems to be the stuff fiction is made of, it so happens that this particular German officer, Wilm Hosenfeld, is a rare breed: a refined, humane man who hates the Nazi totalitarian regime and what it has done to Germany, to the Jewish people, and to the rest of the world. Wilm also adores classical music. Once he finds out that Wladyslaw is a musician, he asks him to play something on the grand piano. Szpilman chooses Chopin’s Ballade in G Minor. When he hears this beautiful music, the German officer is not only convinced of Wladyslaw’s talent, he’s also deeply moved by it. He returns several times to give the starving young man much-needed food provisions, without which he no doubt would have died. Germans have almost lost the war by the time of this fortuitous meeting between the German officer and the Polish Jew. In gratitude, Wladyslaw tells him his name, in case he’s ever taken prisoner by the Poles or Russians and will need his help someday. In a twist of fate--and strange role reversal—when captured by the Red Army Wilm Hosenfeld mentions Szpilman’s name to save his own life. Unfortunately, by the time the Wladyslaw learns of this fact, it’s too late. The Soviet prisoner of war camp had already been abandoned.The most memorable aspects of The Pianist, for me, are its beautiful writing—this journal reads like a great novel—and its nuanced descriptions of life in the Warsaw Ghetto: the overcrowded and increasingly desperate, deplorable conditions, where “Half a million people had to find somewhere to lay their heads in an already over-populated part of the city, which scarcely had room for more than a hundred thousand” (59). Class hierarchies may have saved the richer inmates from the worst conditions for a while, but eventually almost everyone meets their death. Even the children of the orphanage are doomed. They go to their deaths with dignity, sheltered by their beloved leader, Janusz Korczak, from knowledge of their tragic fate:“The evacuation of the Jewish orphanage run by Janusz Korczak had been ordered that morning. The children were to have been taken away alone. He had the chance to save himself, and it was only with difficulty that he persuaded the Germans to take him too. He had spent long years of his life with children, and now, on this last journey, he would not leave them alone. He wanted to ease things for them. He told the orphans they were going out into the country, so they ought to be cheerful. At last they would be able to exchange the horrible, suffocating city walls for meadows of flowers, streams where they could bathe, woods full of berries and mushrooms. He told them to wear their best clothes, and so they came out into the yard, two by two nicely dressed and in a happy mood. The little column was led by an SS man who loved children, as Germans do, even those he was about to see on their way into the next world” (95-96).Claudia Moscovici, Literature Salon

Published in 1946, The Pianist is an eye-witness account of daily life in Nazi-occupied Warsaw, inside and outside the Ghetto walls, by a Jewish survivor. It deserves a high place in the body of Holocaust literature.The pages are filled with horrifying snapshots that are sure to burn their way into the reader's memory: A 20-something woman shot between the eyes for innocently asking a Gestapo officer where she and others who had been rounded up are being taken; a small boy stuck in and struggling to get through a too-tight opening of a ghetto wall being beaten to death from blows delivered to the lower half of his body by an unknown individual on the other side; a malnourished family of six in the Umschlagplatz spending its last few zloties on a last meal, a bite-sized caramel divided equally into sixths. And, yet, as other reviewers have observed, Maestro Szpilman wrote of those horrors as if he were an objective, dispassionate reporter, lifting and burnishing the reading experience while making an important contribution to the historical record.As others have noted, Szpilman reminds us of the human points of light that flickered in the smoke and darkness of Warsaw, especially those Poles who protected the Jews, knowing that they and possibly their families would, if discovered, be executed for having attempted to harbor them. Wehrmacht Captain Wilm Hosenfeld kept the author's hiding place a secret and saved him from starvation. (The savior of others as well, Jew and Gentile alike, Captain Hosenfield would be recognized by Yad Vashem as Righteous Among the Nations.) Alternately, Szpilman describes instances of the Nazis' Ukrainian lackeys brutalizing Jews with unrestrained enthusiasm and Jewish Ghetto police, sometimes with physical cruelty, helping deport carloads of Jews to the concentration camps. Due in good measure to those realities of the war, Polish Communist officials banned The Pianist, and it would not again see the light of day until a half century had passed.Soon after completing the book, I viewed the highly-acclaimed film version of The Pianist directed by Holocaust survivor Roman Polanski. Produced in 2002, the film makes a faithful companion to the book, an uncommon achievement. It earned Oscars for Best Actor, Best Director and Best Writing, Adapted Screenplay.Finally, on a somewhat related note, those who may be interested in reading an absorbing, scholarly account and analysis of The Warsaw Ghetto Uprising should consider Moshe Arens' Flags Over the Warsaw Ghetto. Dr. Arens' book includes the complete text of The Stroop Report, a valuable bonus. General Stroop commanded German forces in the Warsaw Ghetto. After the war, he was tried and hung. In Warsaw.

This is based on a true story. It is a great movie and I highly recommend it.

Já li diversos livros de sobreviventes do Holocausto, mas este é sem dúvida um dos mais tocantes. Em muitos dos outros livros que li, existe aquele ódio pelos alemães, mas neste é simplesmente um relato preciso de uma pessoa que simplesmente não acredita que o ser humano pode ser capaz de cometer tamanhas atrocidades. A partir de hoje, não tem como ouvir Nocturne in C minor de Chopin sem que lembremos da cena mais impactante do livro, o seu encontro com o oficial alemão no fim da guerra.

Amazing story amazing condition

I was drawn towards the book after seeing the movie based on it. It has always been beyond my comprehension as to how Nazis could be so cruel with jews. My heart cries for those sent to gas chambers.This book is an astounding account of how Szpilman struggled and survived only due to his love for music and of course,trmendous willpower.Manik Kher

Very vivid!

I like the pictures in the middle, I didn’t read it cause it’s present but it looked good and in good condition