The Dance Of Reality[Blu-ray]

Maybe the most accessible Jodorowsky film. Very moving and entertaining in its own strange way. Unfortunately, a few highly disturbing and disgusting scenes make me hesitant to recommend this to more conventional movie enthusiasts who might be looking for something new.

Some reflections I've been having lately about death...I think a lot about the deaths of the artists I love and who are still alive. Because I am a greedy consumer, but also because I sympathize with the unavoidable artist's ambition for immortality in the form of a lasting legacy, I think especially, "Will we receive more before that sad, sad, inevitable day?"It's always surprising. William S. Burroughs hung on a long time without, to my mind, ever churning out a Great Last or even Great Latter Day work. Thomas Pynchon on the other hand...every time I count him out he churns out another piece that breaks new ground and that I (almost always) love right away. Some artists such as Hunter S Thompson or David Foster Wallace or Franz Kafka leave behind impressive, often incomplete works published posthumously.And then there are those who just disappear. I'm thinking of Robin Williams here. Can you imagine what joy it would have been to have a wizened 90-year-old little Robbin poking fun at the undoubtedly bizarre realities we have in store down the road for us?So what a relief, joy, and incredible fulfillment it is to have a genius like Alejandro Jodorowsky,--whose few-and-far between films have been compared, not unjustly I would say, to Shakespeare. For what did Jodorowsky create in El Topo if not a Hamlet for the post-modern world? Was Holy Mountain not a grand Tempest tale, Fando y Lis a Romeo & Juliet for the Post-Hiroshima world as seen from the eyes of the "Global South", and Santa Sangré a story of a Latin American McBeth, full of Mexican blood and Chilean brood and devouring himself in a Borges labyrinth where the Minotaur wears mighty Argentinean horns?--to have such a talent turn out a work so vibrant and true as The Dance Of Reality.Knowing Jodorowsky, loving him, I was ready for anything. What I didn't expect was such a pure, stiff dose of Magical Realism. Why had I never drawn that connection before? Certainly, none of Jodorowsky's works up to now would fit comfortably next to a work of Gabriel Garcia Marquez, and yet as though one great magician arriving by independent path and means upon the same enchanted grove where his late companion has just passed from this world, the great Tarot master Jodorowsky deals out a Maor Arcana of images that would fit perfectly into any GGM fiction.Spoilers follow.A corpse that hisses at a small child that there is no God.A mother who never speaks but only sings extemporaneous opera, and who covers her son's naked body in shoe polish, when he is afraid of the dark.A father who leaves his family behind and goes off to assassinate a dictator in his moment of greatest humiliation and pathos--weeping at the corpse of his most beloved horse--only to find his hands petrified into numb claws that never want to open again. The dictator offers the father two huge fistfuls of money to go away and never recall to mind again the terrible moment of defeat; when the tyrant rides off in his limo, the wind blows all the precious bills out of the crumpled fists that cannot shut. Then when the Nazis invade Chile, the failed assassin father, still totally estranged from his family, attempts to salute the incoming invaders but cannot straighten his fingers, and is publicly beaten, then tortured in private.And the other thing I didn't expect.Autobiography.Yes, the boy is young Alejandro J himself, a part shared with the real Alejandro who appears, looking like an especially tired and yet extraordinarily alive Prospero, again and again at the young Alejandro's side, invisible to him, but holding him back at that crucial moment from falling off the edge of a sheer Chilean rocky overhang into the roiling tide below. No doubt a genuine memory, and a beautiful image of the future coming to the rescue of the past which, in its simplicity, strikes that exact spiritual bullseye that the El Topo era Jodorowsky, laden down with an immense arsenal of all the world's arcane symbolism and mythologic archetypes, sweated great Faust droplets of perspiration as he toiled down desert burrows and up steep edges of Holy Mountains, without ever having hope of reaching.Will there be another pomegranate seed dropped in the great abalone shell of Jodorowski's grand opus (which includes not only films but novels and live performances and thousands of panels of comics, all of which I hope one day to have the opportunity of exploring) before he is gone? I certainly hope so, but this piece is so magnificent, and fits so well with the arc of all his films (probably including The Cravat and Tusk) that a Jodorowsky fan can't be blamed for walking away from this one with a truly rare and miraculous sense of completion.

Alejandro Jodorowsky returns after a twenty-something year absence in filmmaking with his fantastic autobiopic chronicling his early life in Tocopilla with a magical twist.In Jodorowsky's second to previous picture (1989's "Santa Sangre," one year prior to 1990's "The Rainbow Thief") Alejandro was chronicling all the dark energy around him in the world, exorcising it into a painfully depressing and yet beautiful film filled with horror and sadness-- "Santa Sangre" is a horror film in the truest sense of the word. But this time around, in "The Dance of Reality," Jodorowsky chooses to take a bad situation (his childhood, as he put it) and 'rewrite it,' because it's important to know that 'the past can be changed.'The film takes place in Tocopilla and tells two stories: One of Jaime Jodorowsky, Alejandro's abusive, atheistic and Stalinist father and his quest to assassinate Carlos Ibáñez-- where Jaime goes down a surprising spiritual path to salvation and the tale of young Alejandro, first at the hands of his terrible father, then on his own spiritual journey in the hands of his mystical mother, who speaks only in operatic vocals. What Jodo has done here is make the absolute best of a bad situation, he took all the anger and fear of his childhood and made it into something beautiful! It's a wonderful movie, and I'm tempted to say it's Jodorowsky's best to date, even over "El Topo."As always, the direction is amazing, everything is meticulously prepared yet has an apparently random take, the acting never seems wooden or stiff, but natural and flowing like water. The use of colors is dazzling, especially on Blu-Ray! The music and sound is unlike anything I've heard in any other recent film and for such seemingly small movie it produces big emotion, evoked through metaphoric storytelling blended with autobiographical points of view. I particularly liked how Alejandro Jodorowsky played himself guiding himself as a child, how he was like a ghost from the future, as all things, past, present and future are connected."The Dance of Reality" is a spiritual journey. It's the antithesis to the negativity and horror of "Santa Sangre," as well as the antithesis to the cold modernity of widespread atheism-- I was touched how anti-religious Jaime was only to find salvation in the hands of a kindly person which leads him down a path to redemption. How much truth there is to the real story I do not know, but it's not important, it's a movie that shows that no matter what religion you follow, Judaism, Christianity, Islam, Taosim, Hinduism or Buddhist or whatever, they're all part of the same Universal Consciousness, all things are connected and Jodorowsky plays that idea beautifully.If you're a fan of Alejandro Jodorowsky's films, pick this one up immediately!

a lesson in chilean history, this movie is inhabited by a cast of seemingly bizarre characters and is probably not speaking to mainstream movie watchers.....it has been referred to as a "cult" movie. although i myself do not subscribe to any cult, i did love this movie, be prepared for some disturbing content thoughthe cinematography is fabulous and to dress a real period in time in such an amazing amalgam of characters and scenes is a manifestation of a truly great creative talent and imagination.

amazing movie. a synthesis between jodorowskys biography with surreal pictures and a fictionalizing which is told in a "magico realismo" way. watched it three times in a row :-)

Love it!

"Dance of Reality" aus dem Jahr 2013 ist der siebte Kinofilm des chilenischen Multikünstlers Alejandro Jodorowsky. Es war sein erster Film nach 23 Jahren Pause als Regisseur, in denen er eher als Autor und Comictexter tätig war, und er begann mit diesem Film, seine traumatische Kindheit und Jugend aufzuarbeiten (letztere folgte in dem Film "Endless Poetry" aus dem Jahr 2017). Alejandro fühlte sich von seinen Eltern, insbesondere seinem Vater, niemals geliebt und trennte sich im Streit von ihm, als er mit 24 Jahren nach Paris auswanderte. Er sah ihn niemals wieder.Die beiden Filme sind ein später Versuch Alejandros, seinem Vater zu vergeben und Wiedergutmachung zu leisten. "Dance of Reality" wurde in Mexiko gedreht und zeigt autobiografische Aspekte seiner Kindheit in Chile mit wahren und prägenden Begebenheiten (z.B. den frühen Tod seines Freundes, eines Schuhputzers, für den er sich selbst die Schuld gibt), ist aber auch voller Symbolistik, wie von Jodorowsky gewohnt. Seine Mutter wollte immer Opernsängerin werden, konnte das aber nie verwirklichen. Deshalb inszeniert er sie in diesen Filmen ausschliesslich Arien singend. Die Erkenntnis Alejandros, dass auch sein Vater menschlich war (in seiner Kindheit hatte er ihn für kalt und unmenschlich gehalten), führt in diesem Film zu dem Versuch, ihn nach Einführung mit unmenschlichem Verhalten im Laufe der Handlung als immer fühlender darzustellen. Die beiden Filme sind zwar nur schwerlich mit Jodorowskys prägenden Werken "El Topo" oder "Der heilige Berg" vergleichbar, für Jodorowsky selbst allerdings wohl bedeutend wichtiger. Deshalb machte er auch ein Familienprojekt daraus. Sein Sohn Brontis spielt Alejandros Vater Jaime und ist nahezu in jeder Szene anwesend; weitere Nebenrollen wurden mit seinen Söhnen Axel und Adan besetzt, welcher hier auch sein Debut bei der Erstellung eines Filmscores gab und später auch den Score zu "Endless Poetry" beisteuerte. (Alejandros vierter Sohn Teo, der in "Santa Sangre" mitspielte, starb bereits 1995 im Alter von nur 24 Jahren). Auch Jodorowskys Frau ist hinter den Kulissen in dem Film involviert. Dieser ist tadellos inszeniert und von lebensbejahender Farbigkeit. Mit allzu hanebüchenen Absurditäten hält er sich diesmal weitgehend zurück. Er verzichtet sogar nahezu auf Zwergendarsteller; nur eine bucklige Frau ist etwas kleiner als der Durchschnitt und darf hier eine Rolle spielen, die ein Element seiner Comicreihe "Sang Royal"(2010-2012) wieder aufgreift. Insgesamt gesehen sollte man Jaimes Werdegang hier auch nicht konsequent für bare Münze nehmen, vieles ist doch sehr symbolistisch gemeint. "Dance of Reality" bildet eine Einheit mit "Endless Poetry" und präsentiert größtenteils dieselben Schauspieler. Letzteren finde ich allerdings noch etwas runder.

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