This new collection from MusikFabrik focuses on three composers imaginings of music from heaven or hell. In the Old Testament, the musical praise of God was imagined as an overpowering roar, a concept depicted in Martin Smolka s Rush (Hour in Celestial Streets). Mauricio Kagel s Orchestrion-Straat celebrates a joyous earthly resurrection while Louis Andriessen s Racconto dall Inferno (tale from hell) proposes that hell has a soundtrack, and anyone caught in its repetitive loops will find it difficult to escape.
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