Kodak 120 Professional Portra Color Film (ISO 160) 1808674

Excellent exposure latitude, a good choice for scenes with high contrast, like harsh sunlight or long exposure night photography. Fine grain that is just barely there - although the grain of Portra 400 is not much more. I actually find this film's properties more useful in 35mm, but 120 is nice too.Cons: as with any color negative film, you may need to spend some time adjusting color channels in your images to remove casts. This film strongly tends towards blue in shadows/underexposure. And if you think you might not develop it for a long time, I found Portra to be the least resilient film to aging during a 10 year hiatus from photography where my exposures sat undeveloped in a box. It got a bunch of tiny black specks from aging. Fuji Pro 400H was the most resilient of the color negatives, with no discernible degradation. Ektar 100 also did well.

Kodak 120 Professional Porta Color 160 Film, is a top quality product. It serves well for any subject matter in its ability to capture the most subtle variation in both color and value. The hues are rich without looking too saturated (which can of course be desirable with different films under other circumstances) capturing a lovely, fine grain, naturalistic quality. When shooting portraits or any shallow space subject matter, Porta Color handles reflected light and color beautifully. The ISO of 160 works well under a variety of light situations. The combination of 120 format and the use of a tripod can deliver some spectacular results. Reasonably priced, too.

I'm just getting into medium format photography, and this is amazing. I'm enjoying this film so much I'm considering selling my digital camera. Some day, perhaps, film will no longer be made, but until then, I'll be shooting this and Tri-X . The colors are wonderful and accurate, the grain is superfine, and it scans well.Highly recommended.

We really are. This is the time to shoot film. Not because it’s cheap, or easy, but because you cannot replicate the tactile feel of negatives with 1s and 0’s. Why do I say we are in the golden age of photography? Because you can shoot film in a great camera like a rolleiflex or Hassleblad and still fix the level, or do some other corrections that would take hours in the darkroom.

Love, love, love Portra. A bit of that old-school less-saturated look, sharp, and looks great to convert any other way if you scan to the computer. Check out my instagram feed to see pics, I always say when I shoot film, and what kind I used. "415Sean"

Good product but very expensive and came with absolutely no packaging. It was in a thin envelope. So naturally the box was smashed.

This is the best color negative film the resolution is just amazing, its not iso 160 but rather 100. really nice skin tones, if you want to shoot people then this is only choice with the other portras.I truly hope that Kodak will continue to produce color negative films and that they wont keep upping the prices!! they are forcing analog pro photographers to become crappy digital shooters that chimp like nuts when trying to get a shot right. With film the real photography, not based on composite images in PS or chimping on camera or spraying 1000 shots and pray to get something right is starting to disappear.Watch out with flash as negative color C-41 and Portra, specially the new portra has bluish cyan cold tones with flash. you might need to adjust with gels the temp of your lights.

Very good