Funny People [Blu-ray]
J**G
A reflection on mortality with jokes
Funny People is a Judd Apatow film about mortality. Movie star comic Adam Sandler is told that he has cancer and decides to deal with his past with ex-love Leslie Mann and the future struggling comedian Seth Rogen. Sandler and Rogen have some real moments besides the funny ones. For instance Rogen plays Sandler a country song that’s supposed to keep his spirits up but it really hits him. At the same time Sandler and Rogen both get to be manchildren which they excel at and make a lot of low brow jokes. Still this is one of Apatow’s more serious films due to the subject matter.
S**O
I wonder if this is an unconscious reason so many viewers gave this movie such bad reviews. They just weren't ready to see him
When I saw this movie a couple of years ago, it was difficult to watch, because most of us have been charmed by the lovable character Sandler plays in the movies with the genius formula he also produces.I am curious about the level of collaboration between Judd Apatow, the writer and director and Sandler, because the character seems so obviously based on Sandler, but with a dark side none of us have seen.I think Sandler was outstanding in this role, and wonder how he felt about taking the risk playing a character that is based on him, but is SO unlikeable.I wonder if this is an unconscious reason so many viewers gave this movie such bad reviews. They just weren't ready to see him, especially in an Apatow movie, that was so dark.
D**5
The best of both worlds.
This is a very good movie. It keeps the Adam Sandler comedic element while capturing an excellent dramatic element. It is proof that Adam Sandler's acting abilities reach much farther than his previous comedic films. I will always love the Billy Madison and Happy Gilmore films, but it is nice to see Mr. Sandler can take on deeper and more realistic roles also.
T**6
A Good Film
I think this film was hyped up a bit to much when it first came out...I think I might have enjoyed it even more if I know less about it ahead of time. That being said, I definetly enjoyed it regardless of the hype. I especially enjoyed the chemistry between Adam Sandler and Seth Rogen. While some points in the movie had diologue that sounded forced, they were few and far between and the rest of the film completely made up for that. Ultimately, my biggest complaint that there wasn't more stand-up comedy. Having a number of DVDs of stand-up specials, I enjoy those very much and would have liked to see more in this film...in fact, they ought to make full-length comedy specials for all the characters...they've got the film somewhere, I think. But at the end of the day, this was a great film with a good story and plenty of much...in all honesty, it was more than I initially expected from the pairing of Adam Sandler and Seth Rogen. So I'd happily recommend it (especially the unrated version.) Enjoy.
A**K
Distasteful
I understood before starting the movie that this was not a comedy despite the title. In fact that is why I wanted to watch it. However, the juvenile language, "jokes" and situations were too ugly. I tried to stay with it for the sake of the story line & character development, but I couldn't. I had to quit the movie about 15-20 mins in.
R**7
Very funny, even when Apatow takes us to some dark places. However, editing was needed.
FUNNY PEOPLE is no 40 YEAR OLD VIRGIN or KNOCKED UP. The key thing to know about that: it isn't trying to be. Some have called FUNNY PEOPLE a failure because it fails to live up to the sheer comedic bliss those two movies provide. While it is VERY funny and has thrice the laughs that most comedies provide, it has a bit more serious business to attend to.VIRGIN was a comedy about a shy man who was almost deathly afraid to get to know women because of this giant "virginess" hanging over his head. The movie was mostly funny, but succeeded because their were genuine moments of tenderness and understanding.KNOCKED UP was a comedy about two VERY different people who get drunk, conceive a child and then decide, against all odds to not only bring the baby into the world, but to try to be a couple for that child. It showed, in a side story, the on-the-edge marriage of another couple, who were filled with seeming unstoppable bitterness at each other. There were some sobering moments, but overall, it was a feel-good film that explored some tough subjects but found generally congenial ways to move on.FUNNY PEOPLE refuses easy answers and "happy" solutions. It deals with heavier subject matter, and doesn't shy away from them. Therefore, it is sometimes less "fun" that Director/Writer Judd Apatow's other films (above). It is sometimes uneven in tone, and there is a bit too much wallowing in the old idea that behind the mask of a comedian lies the face of sadness or tragedy. Any film that asks us to feel sorry for a wildly successful, famous person has a bit of an uphill struggle.But Apatow still mostly pulls it off. He's got a tough juggling act, and seldom looses sight of the balls...although his act goes on about 20 minutes too long (the film is two hours & 25 minutes long, and doesn't quite earn the "extra" time).FUNNY PEOPLE stars Adam Sandler as a highly successful, very famous stand-up turned movie star (much like a certain Adam Sandler in real life). He's made a lot of terrible movies, but they've given him a luxurious and decadent lifestyle, one that has also isolated him a bit from the world. When he receives a poor diagnosis from his doctor, and seems almost certain to die soon from a form of leukemia...he starts to take out his feelings on one of his audiences at an amateur improv night that he has crashed. The unknown comic who follows him (Seth Rogan), ends up making up some jokes about Sandler's meltdown...and he slays the audience and gets the attention of Sandler, who hires Rogan to write jokes for him and to serve as his assistant.Rogan essentially becomes Sandler's confidant...because Sandler has no friends. While he lives a hedonistic lifestyle, he clearly pines for the "one who got away," Leslie Mann. Mann is now married to Eric Bana, has two lovely daughters (Maude & Iris Apatow...essentially reprising their roles from KNOCKED UP), and is unavailable to Sandler.The growing relationship between these two men makes up the first half of the movie, as Sandler goes through various ways of coping or planning for his demise. Rogan is also able to ride Sandler's coattails a bit, and begins to mature as a stand-up himself.Into this mix we also have Rogan's two roommates, Jonah Hill, playing another aspiring comic, and Jason Schwartzman, another friend who has just landed a starring role in what looks like a terrible sitcom on something like ABC Family or Disney network. The dynamics between these three roommates are hilarious, believable and would almost make their own movie. In fact, it's easy to say that they should have been left out so that the film could focus more...but this would make the movie TOO insular, too isolated & lonely. Rogan HAS a life...a dysfunctional one, true...but a life. Sandler, by contrast, has STUFF.Things take a probably not too surprising turn at roughly the midpoint of the film. (If you've seen the trailers, you know what I mean.) And thus, it is required to take off in a different direction. Sandler's character, in particular, is given some real opportunities (Rogan is something of an afterthought for awhile)...and his opportunities sure look like they're going to play out in a very predictable manner. But Apatow has some genuine surprises hidden up his sleeve.In the end, almost no one gets quite what they expected, and yet everyone HAS been given a gift of some sort as well. As the film wrapped up, the mood was somber, sad even...but not without hope. As our two leads trade crude jokes across a dining table, the film fades out on our laughter...laughter that we're glad to use to cover up the sadness we're feeling.As I mentioned, the idea of the comic as some sort of tortured soul is a bit hard to buy hook, line & sinker. Apatow and his whole team are very funny people, and they want the audience to "feel their pain," I suppose. And we do, as we become engaged with the characters, but still, I always felt just a little removed from the idea that blistering, funny comedy can only be masking ancient hurts and raw emotions. Isn't anyone funny just because they're happy? For every tortured comedian out there (Richard Pryor, Jackie Gleason), aren't there some who are a little more stable (Bob Newhart comes to mind)?Yet Apatow is also pretty daring in some ways. He makes us feel a bit sorry for Sandler, but he also lets us see that Sandler is an a**hole. We think that underneath the exterior we see of a jerk, there must lie a gentler, more human heart. And there does. But truly at the core, there is still an a**hole. Sandler doesn't shy away from that reality...and in the end, it is his performance that makes this film work. Everyone is very good in the film...but it is Sandler whose journey we're really following, and he knocks it out of the park. One can argue that his role is within his comfort zone, but from what I understand, Sandler is actually happily married and has been for some time. He even has friends. So he's playing the version of himself that COULD have been...but however you care to characterize it...he's allowing himself to show some raw emotion that is occasionally very effective.Leslie Mann is always a welcome, sparkling presence...but her character also goes places we might not expect. Jonah Hill & Jason Schwartzman do riffs on their usual personas, but in the end, they reach just a little deeper and find something true. Rogan (thankfully skinner & healthier...although still a schlub) reigns himself in when appropriate and feels more like a real person than he has before. And Eric Bana, in what should have been a cardboard role, is allowed to both have fun at his own expense and to show some real emotion. (And James Taylor makes a brief cameo in which he is given one of the funniest lines in the film.)So there is much to admire, indeed. But I can't quite give the film my most enthusiastic embrace because it's a bit too long, and that length feels like unneeded navel gazing. I recommend it, but I doubt I'll be returning to it very often in the future.
M**N
Never got past the first 10 minutes - too much foul language
I got this for an Amazon credit, so it was free thankfully. There was absolutely nothing in the preview that would have led me to believe all the f bombs and foul language would be in it. Turned it off. Amazon needs a better system of letting customers know content prior to purchasing videos.
I**M
More like "Unfunny People..."
When I tell people that I like the work of Adam Sandler, they often look at me as if I've suffered a traumatic brain injury. If this movie was the only one of Sandler's films they had seen, I'd know why. It also raises the question, "what would modern comedians write jokes about if they couldn't use reproductive organs as source material?" Oops, should I have given a spoiler alert? You can also tell they used a laugh track in this film, as most of the jokes were not funny. Sandler and Rogen have starred in genuinely good films. This is not one of them.
A**S
Funny first half - tragic comedy second act
Funny People is about stand-up comedian/actor George Simmons (Adam Sadler) who learns he is dying of leukaemia and, obviously not feeling that in the mood to be funny, enlists the help of struggling comedian Ira Wright (Seth Rogen) to help out with some of the material.With plenty of soul-searching and wondering where his life went wrong Simmons and Wright's exploits may not seem like the ideal source for a comedy movie. As with other Judd Apatow movies, it's quite long (over two hours). The first half manages to be pretty funny - helped along with various scenes of stand-up comedy and allowing the performers to be funny.However, the second half takes a more darker tone (cue the inclusion of Eric Bana). There's nothing wrong with this change, but, if you're expecting a straight happy-go-lucky comedy (ala 40 Year Old Virgin or Knocked Up) this may surprise you.I'm not much of a fan of Adam Sadler. Normally he annoys me, but I found him actually quite good at playing a more unlikeable character. His and Rogen's parts were written especially for them and it shows in their interaction, which does elevate the movie and carry it all the way through.All in all, not your average comedy, but certainly funny enough to get a fair few laughs in. Then, once you've stopped laughing, there's enough human emotion to finish it off with to make it so you actually care about the characters.Overall 4/5.
R**S
Funny, but needs editing
Made by Judd Apatow, the man who brought us '40 year old virgin' and 'Knocked up', this is a slightly less commercial, more thoughtful film. George Simmons (Adam Sandler) is a successful comedian who discovers that he has a fatal blood disease. At the same time he is told of his condition his path crosses with Ira (Seth Rogen) an ambitious stand up comedian. the film charts their friendship and George's coming to terms with his condition.The film is entertaining and there are some funny moments. My problem with the film was its length. With a bit of editing this could have been a satisfying experience. As it is it outstays it's welcome and by the end some of the jokes about bodily parts were getting a little tiresome. I am not an Adam Sandler fan, but I thought he was very good as a man coming to terms with his mortality and reflecting on his fame.If you want a laugh you could do worse.Check out if you like:Hannah and her sistersKnocked up
M**K
Yes very funny
Great dvd
B**3
Adam sandler is a funny guy and all his movies worth a watch
Not watched it yet but watched clips and from what I saw was good film plus Jonah hill and Adam sandler are there usual funny
P**K
Five Stars
Nice state, good movie.
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